Exposition

Hearing Rhythm, Seeing Rhythm: A Research Approach to Reimagining Traditions of Chinese Poetic ‘rules of rhythm’ (2024)

Ling Liu

About this exposition

Throughout the history of China, from early dynasties into contemporary times, aspects of poetry, painting, and writing have been grounded in varied but deeply connected ‘rules of rhythm’. These ‘rules’ permeate in diverse yet identifiable and recognizable forms. The research in this project is aimed at both adopting and adapting these rules of rhythm or rhythmic patterns in an experimental form that reimagines a tradition of ‘lyric aesthetics’ in the context of the contemporary interplay between sound, image, and writing. In this sense, the investigation is at once one of ‘reclamation’ and extension. The basic ‘question’ in these experiments is whether it is possible to represent sonic patterns themselves — that is, by both visualizing sound structures and ‘sonifying’ visual forms (irrespective of textual content). The text focuses on the historical establishment of methodological approaches (as a way to identify their forms) and then transforming/translating these in combinations made possible by blending the sonic and visual. As a particular attribute of Chinese expression, these ‘rules’ or forms are cultural traits that have endured through many centuries and challenges and, more importantly in this case, can be (re)iterated in dynamic, fluid, and revitalized contemporary artistic configurations that aim at seeing sound, writing sound, and performing rhythm. Download Accessible PDF
typeresearch exposition
keywordsSonic-Visual, Chinese art, Chinese aesthetics, Rules of rhythm, multimedia, sound art, Sound space, acoustic, rhythm
date06/11/2024
published06/11/2024
last modified06/11/2024
statuspublished
share statusprivate
copyrightLing Liu
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/1900487/3063482
doihttps://doi.org/10.22501/jar.1900487
published inJournal for Artistic Research
portal issue33. 33


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