evocations – towards a poetics of documentation

Fernanda Branco

About this exposition

Every art documentation is an encounter with an artwork in displacement, both in time and space. Yet, the experience of being present in the moment a live art work unfolds is – inevitably – lost in documentation. Evocations – towards a poetics of documentation explores non-conventional documentation to evoke imagination, inspired by the fragmentary, concision and absence found in poetry. This exposition passes through early discussions relating documentation to evidence. It looks into contemporary artists who challenge conventional ways to document, and approaches the act of document as bridging. Insisting on the loss and void inherent in documentation, Fernanda Branco's artistic research: environment embodiment – towards poetic narratives explores the circulatory generative process some non-conventional documentation can have. In the two projects I remember and Traces, the documentation viewer is invited to imagine – rather than to see – what occurred. Photo Credit: Performance by Fernanda Branco Traces #3. Drawing documentation and photo by Hilde Grønne Flikke.

Varje konstnärlig dokumentation är ett möte med ett konstverk i förskjutning, både i tid och rum. Ändå går själva kärnan i att vara närvarande i ögonblicket när ett livekonstverk utvecklas oundvikligen förlorad i dokumentationsprocessen. Evocations – mot en dokumentationens poetik utforskar en icke-konventionell dokumentation för att väcka fantasi, inspirerad av det fragmentariska, koncisa och frånvarande som finns i poesi. Expositionen går igenom tidiga diskussioner som relaterar dokumentation till bevis. Den undersöker samtida konstnärer som utmanar konventionella sätt att dokumentera och som närmar sig dokumentationen som en slags överbryggning. Fernanda Brancos konstnärliga forskning: environment embodiment – towards poetic narratives insisterar på förlusten och tomrummet i dokumentation och utforskar den cirkulerande generativa process som viss icke-konventionell dokumentation kan ha. I de två projekten I remember och Traces uppmanas den som tittar på dokumentationen att föreställa sig – snarare än att se – vad som hände.

type	research exposition
keywords	Documentation, co-authorship, circulatory, performance, evocation, collaboration, uncanny, non-traditional, poetry, process, self-generative, poiesis, temporality, non-conventional documentation
date	25/11/2022
published	20/10/2023
last modified	20/10/2023
status	published
share status	public
affiliation	Oslo National Academy of the Arts
copyright	Fernanda Branco
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/1836549/2292898
doi	https://doi.org/10.22501/vis.1836549
published in	VIS - Nordic Journal for Artistic Research
portal issue	10. VIS Issue 10

name	fllowing line bigger right
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture

name	folloing line lapis
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture

name	line side opposite
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture

name	linha pro i rembmer
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture

name	line side 1
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture, picture, picture, picture, picture

name	title evocations
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture, picture

name	I REMEMBER breath skin
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture

name	traces #4 image
copyright	Hilde Grønner Flikke
license	CC BY-NC-ND
usages	picture

name	traces#4 text
copyright	Hilde Grønner Flikke
license	CC BY-NC-ND
usages	picture

name	TRACES BLUE 1
copyright	Hilde Grønner Flikke
license	CC BY-NC-ND
usages	picture

name	traces brown trio
copyright	Hilde Grønner Flikke
license	CC BY-NC-ND
usages	picture

name	Traces #2 Røerskogen
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	video

name	by fb
copyright	Fernanda Branco
license	CC BY-NC-ND
usages	picture

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evocations – towards a poetics of documentation (2023)

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