Exposition

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam (last edited: 2023)

Mark van Tongeren 
ACPA
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In our culture, vocal harmonics fuction as independent musical elements since only a few decades. Thresholds of the audible explores the changing relationship between singers, listeners and harmonics. As a research method a series of compositions (Nulpunten/’Zeropoints’) has been developed, which attempt to make a fresh approach to overtone singing and to the sonic source material of the human body. They spark off further investigations of reality and illusion of our auditory world. Using his experiences with Tibetan monks and Sardinian brotherhoods and the ‘transverbal’ oeuvre of Michael Vetter, Mark van Tongeren develops his notion ‘multiphony of the body’. The last word, according to him, must be given to readers/listeners, who are challenged to shift their thresholds of the audible with the cd It starts here and the performance Incognito ergo sum.
typeresearch exposition
keywordsMichael Vetter, Body, polyphony, ethnomusicology, phenomenology, listening, overtone singing, voice, timbre, harmonics
date13/03/2013
last modified02/02/2023
statusin progress
share statuspublic
copyrightMark van Tongeren 
licenseCC BY-NC-ND
languageDutch
urlhttps://www.researchcatalogue.net/view/1790164/1790165
connected toAcademy of Creative and Performing Arts
external linkhttps://hdl.handle.net/1887/20611


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nameA_Programmaboekje Mark v Tongeren
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nameProgrammaboekje Mark v Tongeren
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nameProgrammaboekje Mark v Tongeren - copy
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nameFusica Total V4 [360p]_
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nameFusica Total V4 [360p]_ - copy
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