Exposition

Dolce Napoli: Approaches for performance (last edited: 2023)

Inês de Avena Braga
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About this exposition

This thesis of Inês de Avena Braga examined two previously neglected topics, Baroque Italian recorders and the Neapolitan Baroque repertoire for the recorder, and then combined both aspects. First, information was collected on all Italian Baroque recorders currently known, including biographical references about the makers of these recorders, as well as technical drawings, measurements and photographs. The practical experience with the copies of a few of those recorders was described by the author. Second, the Baroque repertoire composed in Naples for the recorder was researched, uncovering a rich and forgotten corpus of music written and copied between 1695 and 1759. The Neapolitan recorder works were also listed with a brief analysis and further commentary on the recorder part, with a view of connecting the works with the instruments that might have once been used to play them. Furthermore, an overview of the social and cultural atmosphere of Naples in the early eighteenth century was offered as contextualization to the musical ambience, aided by iconographical references. Conclusions on performance practice are presented as a result of the combination of both research aspects. The artistic outcome of this study has brought together, also in performance, the two main aspects of the research: 'new' instruments and 'new' works.
typeresearch exposition
keywordsbaroque, recorder, Naples, Sonata, concerto, sinfonia, Francis Ponormo, Jose Castel, Francesco Mancini, Pietro Pullj
date02/07/2015
last modified02/02/2023
statusin progress
share statuspublic
copyrightInês de Avena Braga
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/1788460/1788461
connected toAcademy of Creative and Performing Arts
external linkhttps://hdl.handle.net/1887/33729


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nameMI0003851117 - copy
copyrightInês d'avena Braga
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nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ I. Grave
copyrightInes D'avena Braga
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nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ I. Grave - copy
copyrightInes D'avena Braga
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usagesaudio
nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ II. Allegro
copyrightInes D'avena Braga
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usagesaudio
nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ II. Allegro - copy
copyrightInes D'avena Braga
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usagesaudio
nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ III. Andante
copyrightInes D'avena Braga
licenseAll rights reserved
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nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ III. Andante - copy
copyrightInes D'avena Braga
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nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ IV. Allegro
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nameExcerpt Filippo Rosa Sinfonia a flauto solo e basso in F Major_ IV. Allegro - copy
copyrightInes D'avena Braga
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nameExcerpt Pietro Pullj Sinfonia a flauto solo e basso_ I. Andante assai
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nameExcerpt Pietro Pullj Sinfonia a flauto solo e basso_ I. Andante assai - copy
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nameExcerpt Pietro Pullj Sinfonia a flauto solo e basso_ II. Largo
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nameExcerpt Pietro Pullj Sinfonia a flauto solo e basso_ II. Largo - copy
copyrightInes D'avena Braga
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nameExcerpt Pietro Pullj Sinfonia a flauto solo e basso_ III. Allegro
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usagesaudio
nameExcerpt Pietro Pullj Sinfonia a flauto solo e basso_ III. Allegro - copy
copyrightInes D'avena Braga
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nameN. Fiorenza - Concerto in a minor (1726) - La Cicala_Inês d'Avena @ Vrije Geluiden 2015 [360p] - copy
copyrightInes d'Avena Braga
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nameInês d'avena Braga Concert Image - copy
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