La resistencia de las piedras

alejandra reyero

Exposition

La resistencia de las piedras (2023)

alejandra reyero, Maia Navas

open exposition

About this exposition

The proposal explores the potential of critical experimental research, turning to medial - material practices of countermemory in the face of historical and contemporary technologies of control. This is an essay on remains of images, sounds and texts that were part of the research process of the short film "Enviado para falsar" (Maia Navas - 2021). Two spaces: Napalpí (Chaco, Argentina, 1924, where the “Napalpí indigenous massacre” by the National State took place) – Barrio Gran Toba (Resistencia, Chaco, Argentina, 2020, where descendants of qom indigenous communities were monitored by a police drone during the Covid-19 pandemic.). Two temporalities that are abyssed through montage as an aesthetic and epistemic exercise, updating the colonial legacy that operates again under the motto of care, the legality of persecution and the abuse of power. Against this, we rescue the gesture of the slingshot with which the Qom indigenous community brought down the police drone. We made interventions on the archive material of German anthropologist R. L. Nitsche linked to the 1924 Napalpí massacre and we risked irreverent gestures that operate as a glimpse to evidence its truth as artifice. We propose exercises with and on visual residues, anachronistic and poetic approaches by superimposing voices and sounds. We fable decolonizing strategies that seek to turn a past into present, by imagining its return as inventive action. Based on possible temporary deviations from the fall of the drone, operations on the image are detached. A dialogue between objects and intervening actors those who have or have not witnessed the events is traced according to a path of existing letters and publications, which account for the network of relationships between science celebrities, the State and police forces.

La propuesta explora las potencialidades de la investigación crítica experimental, acudiendo a prácticas mediales - materiales de contramemoria frente a tecnologías de control históricas y contemporáneas. Se trata de un ensayo sobre restos de imágenes, sonidos y textos que formaron parte del proceso de investigación del cortometraje Enviado para falsear (Maia Navas - 2021). Dos espacios: Napalpí (Chaco, Argentina, 1924, donde tuvo lugar la “Masacre indígena de Napalpí” por parte del Estado nacional) - el Barrio Gran Toba (Resistencia, 2020, donde descendientes de comunidades indígenas qom fueron vigilados con un drone policial durante la pandemia del Covid-19.). Dos temporalidades que se abisman a través del montaje como ejercicio estético y epistémico, actualizando el legado colonial que opera nuevamente bajo el lema del cuidado, la legalidad de la persecución y el abuso de poder. Frente a ello, rescatamos el gesto del hondazo con el que la comunidad indígena qom derriba el drone de la policía. Realizamos intervenciones sobre el material de archivo del antropólogo alemán R. L. Nitsche vinculado a la masacre de Napalpí en 1924 y arriesgamos gestos irreverentes que operan como un atisbo para evidenciar su verdad como artificio. Proponemos ejercicios con y sobre residuos visuales, aproximaciones anacrónicas y poéticas mediante superposición de voces y sonidos. Fabulamos estrategias descolonizadoras que buscan volver presente un pasado, imaginando su retorno como acción inventiva. A partir de posibles desvíos temporales de la caída del drone, se desprenden operaciones sobre la imagen. Se traza un diálogo entre objetos y actores intervinientes -aquellos que han sido testigos o no de los hechos- según un derrotero de cartas y publicaciones existentes, que dan cuenta de la red de relaciones entre figuras de la ciencia, el Estado y las fuerzas policiales.

type	research exposition
keywords	video-essay, montage, archive, decoloniality, control technologies, Indigenous People, Latin america, Chaco, Argentina
date	24/10/2023
published	24/10/2023
last modified	24/10/2023
status	published
share status	private
copyright	Maia Navas, Alejandra Reyero
license	CC BY-NC-ND
language	Latin American Spanish
url	https://www.researchcatalogue.net/view/1735361/1735362
doi	https://doi.org/10.22501/jar.1735361
published in	Journal for Artistic Research
portal issue	30. 30

Copyrights

name	Enviado para falsear
copyright	Navas
license	All rights reserved
usages	video

name	avión cielo
copyright	Navas, Reyero
license	All rights reserved
usages	image

name	00001111-piedra
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	01 hormiguero
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	cielo hormiguero
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	NUMEROS-03
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	NUMEROS-04
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	grafico piedra-01
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	grafico piedra-02
copyright	Navas, Reyero
license	All rights reserved
usages	picture, picture

name	titulo-animado
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	Piedra 2 nueva
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	Piedra 1 nueva
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	conversación con la piedra
copyright	Navas
license	All rights reserved
usages	video

name	NUMEROS BLANCO--07
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	2 fotos avión
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	audio carta Lynch A. a Lehmann N
copyright	Navas
license	All rights reserved
usages	audio

name	Carta Lynch A. a Lehmann N.
copyright	Navas
license	All rights reserved
usages	audio

name	Carta Lehmann N. al gobernador de Chaco
copyright	Navas
license	All rights reserved
usages	audio

name	La astronomía de los tobas Texto Lehmann N.
copyright	Navas
license	All rights reserved
usages	audio

name	00000001
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	Lechman desmiente haber estado en N_
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	00000005
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	00000012
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	video estación
copyright	Navas
license	All rights reserved
usages	video

name	NUMEROS-06
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	NUMEROS-08
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	telegrafo
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	carta grupo 1
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	carta grupo 2
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	carta grupo 3
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Lynch a Lechmann, ud. fue testigo (parte 1)
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Lynch a Lechmann, ud. fue testigo (parte 2)
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Lynch a Lechmann, ud. fue testigo (parte 3)
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Lynch a Lechmann, ud. fue testigo (parte 4)
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Lynch a Lechmann, ud. fue testigo (parte 5)
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	preguntado
copyright	Navas
license	All rights reserved
usages	audio

name	Campo Napalpí nuevo
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	Astronomía de los tobas-1
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Astronomía de los tobas-2
copyright	Navas, Reyero
license	All rights reserved
usages	slideshow

name	Detrás foto nuevo
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	Foto avión nuevoo
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	invisibles al ojo humano
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	techo camara
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	paneo 1
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	paneo 2
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	noise nuevo
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	paneo 3
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	barrido mapas
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	barrido drone avión
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	ocultar información
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	vista drone
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	NUMEROS BLANCO-10
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	NUMEROS BLANCO-09
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	Nueva piedra JAR
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	07 imagen negra nuevo
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	06 piedra volando nuevo
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	El hondazo como gesto nuevo
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	vista drone
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	titulares hondazo
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	NUMEROS-05
copyright	Navas, Reyero
license	All rights reserved
usages	picture

name	Reduccion vacía
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

name	L F frame corto nuevox
copyright	Maia (Mariana Sol) Navas
license	All rights reserved
usages	picture

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La resistencia de las piedras (2023)

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