Exposition

The Feeling of Sound: Music Curating, Performing and Connecting with and through Music (2022)

Laura Sophie von der Goltz
open exposition

About this exposition

Long story short In this research exposition, I would like to invite the reader on a journey of discovery in the field of classical music presentation. Over the last 50 years there have been many suggestions on how to allow the professional field of classical music to develop alongside its time and people. To get a new perspective on the topic, I approach ASMR as a connected topic, investigate it under the aspect of listening and then make a transfer to my professional practice. ASMR stands for autonomous sensuous meridian response and is describing a special kind of sensory perception. I study ASMR as way of perception and as well as a YouTube / media phenomenon. My research question is: What can I learn from ASMR (about contemporary audience’s perception of sound) and how can I integrate this in my artistic practice? When I talked to colleagues or teachers from a classical music context, ASMR appeared to them at first as something bizarre and insignificant. Still, it has millions of followers on the internet. A large number of followers is not necessarily an indicator of artistic quality, but it can certainly be an argument to arouse curiosity. After all, the number of followers towards a subject does say something about its appeal or the ability to grasp people. By comparing ASMR to synaesthesia, I want to focus on perception and sensuousness but also explore common traits and differences of the two phenomena as both neurological phenomenon and the social (artistic) movement. An analysis and five experiments involving technological and dramaturgical tools often used in ASMR, leads to the final chapter: the artistic implementation. During the two years of my master studies, I designed two performance concepts, in which I applied the insights I gained throughout this research. A documentation of the process and a more elaborate explanation of the concept are to be found in chapter 4. In the end of this exposition, I summarize the conclusions of the research I made on a general and on a personal level. In order to acquire more information as well as a wider view, I have reached out to literature within the fields of sociology, (social) history, psychology, neuroscience and philosophy . During my years of studies in music, music pedagogic, historical and innovative performance practice, I quenched my thirst for knowledge about the past and now I am hungry to learn about the now and the future.
typeresearch exposition
keywordsMusikvermittlung, music curating, interpretation, innovative performance practice, concert pedagogics, historically informed performance
date27/02/2022
published11/07/2022
last modified11/07/2022
statuslimited publication
share statuspublic
copyrightLaura Sophie von der Goltz
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/1555615/1555616
doihttps://doi.org/10.22501/koncon.1555615
published inKC Research Portal
portal issue3. Internal publication


Copyrights

nameThe feeling of sound master research exposition
copyrightLaura Sophie von der Goltz
licenseAll rights reserved
usagespdf
namesenti lo mare
copyrightLaura Sophie von der Goltz
licenseAll rights reserved
usagespdf
nameDo you belive in angels?
copyrightLaura Sophie von der Goltz
licenseAll rights reserved
usagespdf
nameExperiments recordingsession graphics
copyrightLaura Sophie von der Goltz
licenseAll rights reserved
usagespdf
name3D microphone Violin
copyrightLaura Sophie von der Goltz
licenseAll rights reserved
usagesaudio
nameConversation with Jakub Klimes
copyrightLaura Sophie von der Goltz
licenseAll rights reserved
usagespdf

comments: 1 (last entry by Koncon Master Coordinator - 28/02/2022 at 11:03)
Koncon Master Coordinator 28/02/2022 at 11:03

Supervisor approval for admission, though the text requires revision after the symposium.

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