Exposition

All that glitters and NO black holes (last edited: 2024)

Zoe Panagiota (aka Betty) Nigianni

About this exposition

Design, 1995-96, 2023. Design, 1996-97. Photography, 2010, 2011. Essay, 2015. Collage Text, 2022. The exposition serves as commentary and guide on the place of art, in a gradually environmentally and technologically challenged world. I further make a commentary on outgrown conceptions of the foreign, in terms of the so-called "exotic', and the non-foreign,within the context of contemporary globalisation. This, to raise open questions on the impact of the aforementioned on global politics. The re-design proposal, inspired by De Stijl, illustrates the modernist historical view that art appears to be regressive, rather than progressive: as soon as a movement or a school becomes established, reaching its culmination, it starts declining. Finally, I have included a graduate school architectural design project in the archaeological site of Eleusis accompanied by new commentary. With essay about experimental film making in the British avant-garde, published in "Architecture and Culture" journal, 2015, which is about the environmental challenges of the urban environment. The reference to the TV show "Alone", a competitive prize show of sole or two-person players, is a reminder that humans can live in the natural environment developing survival tactics already applied by their ancestors. About how to navigate this exposition: Scroll from top to bottom, then from bottom to top, then scroll to the top right, then scroll to the bottom right. For Luke, who I haven't met; with respect and care.
typeresearch exposition
keywordscommentary, environmentalism, urbanism, industrial, nature, ritual art, visual perspective of public spaces, architecture, kinaesthetic perception, mass media, Archaeology, Sculpture, mirage, politics, politicized art, avant-garde
date18/02/2022
last modified29/11/2024
statusin progress
share statuspublic
affiliationIndependent, University of East London, National Technical University of Athens
copyrightZ.P.Nigianni
licenseAll rights reserved
languageBritish English
urlhttps://www.researchcatalogue.net/view/1541889/1541890


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