Exposition

Vietnamese Diasporic Voices: Exploring Yellow Music in a Liminal Space. (2022)

Nguyen Thanh Thuy
open exposition

About this exposition

en
This exposition seeks to identify artistic strategies and challenges in intercultural experimentation with nhạc vàng (yellow music)—a Vietnamese popular music genre. It builds on the author’s experience as a professional musician and đàn tranh player on the Vietnamese traditional music scene, and on her long-term international and intercultural collaborations with performers and composers, as a member of the Vietnamese/Swedish group The Six Tones. In three video essays, the exposition presents the artistic process developed by the participating artists, and an analysis of how these strategies relate to the rule systems of traditional and popular music in Vietnam.

sv
Denna exposition syftar till att identifiera konstnärliga strategier och utmaningar i interkulturella experiment med en vietnamesisk populärmusikgenre känd som nhạc vàng (yellow music) Den bygger på författarens erfarenhet som professionell musiker och đàn tranh-spelare på den vietnamesiska traditionella musikscenen och på hennes långvariga internationella och interkulturella samarbeten med konstnärer och kompositörer som medlem av den vietnamesisk-svenska gruppen The Six Tones. I tre videoessäer presenteras den konstnärliga process som utvecklats av de deltagande musikerna och en analys av hur dessa strategier förhåller sig till regelsystemen för traditionell musik och populärmusik i Vietnam.
typeresearch exposition
keywordsyellow music, intercultural collaboration, Vietnamese popular music, identity in diaspora
date02/02/2022
published18/11/2022
last modified18/11/2022
statuspublished
share statuspublic
copyrightNguyen Thanh Thuy
licenseCC BY-NC-ND
languageBritish English
urlhttps://www.researchcatalogue.net/view/1513023/1513024
doihttps://doi.org/10.22501/vis.1513023
published inVIS - Nordic Journal for Artistic Research
portal issue8. VIS Issue 8


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