Exposition

ENHEAR (2022)

Carolina Jinde

About this exposition

ENHEAR a way of being a state of mind a field of enquiry exploring the creative and collaborative potentials of sound centric strategies in film and media-based contexts The term enhear invites an approach to research, art practice, sound studio and world that is comprehensively aural. It proposes listening as both act and role; listening as a present tense, continual and continuous co-creation of the inter-relational spaces we all share. Drawing on the specific expertise and orientation of the sound engineer in film and media-based production, the research unfolds as a series of interrelated experiments and reflections, exploring enhear via a diverse range of artistic approaches, collaborative methods and pedagogical practices. Each sub-project brings particular attention to the auditory perspective, a radically underutilised element within the visually dominated context of film and media. This project contends that consciously incorporating attentive and inclusive listening practices into the lifecycle of creative processes will make considerable artistic, ethical and practical contributions to film and media-based productions; further utilising the expertise, raising the profile and expanding the practices of the sound engineer.
typeresearch exposition
keywordsEnhear, Listening, Sound Engineering, Sound Studio, Sound Design, Film Production, Sonic Centric Strategies, Collaborative Processes, Cross Disciplinary Practices
date22/08/2022
published02/09/2022
last modified02/09/2022
statuspublished
share statusprivate
affiliationStockholm University of the Arts
copyrightCarolina Jinde
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/1440914/1440915
published inStockholm University of the Arts (SKH)
portal issue0. X-position
external linkhttp://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-1278


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