Exposition

Cello Meets Soleares (2022)

Candela Mier-Terán
open exposition

About this exposition

Flamenco is still a mystery and although there is a growing body of academic literature seeking to understand it, there is still a long way to go. In addition, flamenco is opening up to such variety and innovation that various instruments have been included in the traditional ensemble of guitar, cajón, clapping, cantaor/a and dancer. For these reasons, this research aims to bring cante por soleares closer to anyone interested in the world of flamenco, although perhaps with special attention to string musicians, and cellists in particular. This work, together with my analysis of the rhythm, melody, harmony and structure of the soleares, seeks to offer reflections, tools and conclusions for those looking to imitate soleares singers on the cello. This work is carried out through the transcription and analysis of six soleares, carefully selected for the purpose of being played on the cello [having done so much work with flamenco experts, it is a pity not to mention this as one of your key methods]. With these insights, I seek to better understand the characteristics of cante por soleares, to propose different forms of imitating it on the cello, and to offer options more suitable to the instrument when close imitation is not possible.
typeresearch exposition
keywordsFlamenco, soleares, cante, flamenco, transcription, Violoncello, Aesthetics & Cultural Discourse
date20/02/2022
published11/05/2022
last modified11/05/2022
statuspublished
share statusshared in portal(s):
copyrightCandela Mier-Terán de La Flor
licenseCC BY-NC-ND
urlhttps://www.researchcatalogue.net/view/1401613/1401614
doihttps://doi.org/10.22501/koncon.1401613
published inKC Research Portal
portal issue1. Master Research Projects


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copyrightRoyal Conservatory of the Hague
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nameDESIGN JAIME DELAGE
copyrightJaime Delage
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nameJaime Delage Design
copyrightJaime Delage
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nameMap of Spain- Places where flamenco was borned
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namecalling for praying- Islam
copyrighthttps://www.youtube.com/watch?v=R5QwGeQIQ0w
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nameManuel de los Santos Pastor- Cante jondo flamenco
copyrighthttps://www.youtube.com/watch?v=TnGP4z_oJPw&ab_channel=segirillas26
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nameAfrican rythm-
copyrighthttps://www.youtube.com/watch?v=xob3jQj6SpE&ab_channel=FlorianYuberoCa%C3%B1as
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usagesaudio
nameTango (flamenco style) clapping
copyrighthttps://www.youtube.com/watch?v=GJMX2jXdxJw&t=110s&ab_channel=LUISDEPERIKIN
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usagesaudio
nameCAFE CANTANTE- EXTRACT FROM THE FILM
copyrighthttps://youtu.be/rUJKnzI6EKs
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nameCAFE CANTANTE
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nameSILVERIO'S CAFE CANTANTE- SEVILLE NEWSPAPER
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nameINFLUENCES IN SOLEARES
copyrighthttps://www.flamencopolis.com/archives/321
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nameexcerpt from Zarzuela
copyrighthttp://www.sinfoniavirtual.com/flamenco/jaleos_soleares.pdf -pg31
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usagespicture
nameLA ANDONDA
copyrighthttps://elartedevivirelflamenco.com/cantaores1013.html
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namePAQUIRRI EL GUANTÉ
copyrighthttps://elartedevivirelflamenco.com/cantaores1111.html
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nameIMG_2077
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nameFLAMENCO NUMBERS
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nameFLAMENCO CLOCK
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nameTRANSCRIPTION 1
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nameTRANSCRIPTION 2
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nameTRANSCRIPTION 3
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nameTRANSCRIPTION 4
copyrightCandela MT
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nameSOLEARES CLAPPING
copyrightCarrillo Rubio, J.F. (2015): Las palmas en el flamenco. La Madrugá no12.
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nameJUAN TALEGACHICO- MELCHORS SOLEÁ
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nameDEAF CLAPPING- PALMAS SORDAS
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nameBRIGHT CLAPPING- PALMAS BRILLANTES
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nameGUITAR PLAYING POR SOLEARES- YOLANDA GARRIDO
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nameCLASSIFICATION OF SOLEARES- FAUSTINO NUÑEZ
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nameCLASSIFICATION OF SOLEARES- FAUSTINO NUÑEZ
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nameMARKED VIBRATE- ALBA GUERRERO EXPLANATION
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nameMARKED VIBRATO 1
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nameSolea from Alcalá- Joaquín el de la Paula Manolito de María
copyrighthttp://canteytoque.es/solearec.htm#santamaria
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nameVIBRATO 2
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nameEXPLANATION OF BLOWN ATTACK-ALBA GUERRERO
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nameJIPIO-ALBA GUERRERO
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nameJIPIO CELLO
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nameBEBEO ALBA GUERRERO
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nameBEBEO
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nameBEBEO 2
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namepaquirri3fernanda
copyrighthttp://canteytoque.es/solearec.htm#santamaria
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nameflamenco mode
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nameSCALES FOR SOLEARES
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nameCHORDS-FAUSTINO NUÑEZ
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nameCHORDS-FAUSTINO NUÑEZ
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nameCAPO-TONES
copyrightJuan Parrilla
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nameGUITAR ACCOMPANIMENT TO THE SOLEARES
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nameGUITAR STRUCTURE
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nameANDONDA1- FERNANDA DE UTRERA
copyrighthttp://canteytoque.es/solearec.htm
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nameFERNANDA DE UTRERA
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nameANDONDA 1- FERNANDA AND PACA DE UTRERA
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namea- parts
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nameb- parts.
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namec-parts
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namePEPE EL DE LA MATRNA
copyrighthttps://www.flamencoviejo.com/rito-y-geografia-del-cante-4-1-pepe-de-la-matrona.html
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nameJOSÉ LORENTE- PEPE EL DE LA MATRONA
copyrighthttp://canteytoque.es/solearec.htm
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nameJOSÉ LORENTE- PEPE EL DE LA MATRONA
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nameSANTAMARIA- PEPE EL DE LA MATRONA
copyrighthttp://canteytoque.es/solearec.htm
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nameCHARAMUSCO-PEPE EL DE LA MATRONA
copyrighthttp://canteytoque.es/solearec.htm#charamusco
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nameCHARAMUSCO- ALBA GUERRERO
copyrighthttps://www.youtube.com/watch?v=WAk-_8zKEvU&ab_channel=AlbaGuerrero
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namePAQUIRRI 3- FERNANDA DE UTRERA
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nameSECTION A
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nameCHARAMUSCO-PEPE DE LA MATRONA
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nameDECODIFICATION
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namepart b-
copyrightCandela Mier-Terán de La Flor
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namesection a
copyrightCandela Mier-Terán de La Flor
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namepart c
copyrightCandela Mier-Terán de La Flor
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nameEl Portugués- Cobitos
copyrighthttp://canteytoque.es/portugues2cobitos13.mp3
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nameManuel Celestino Cobos
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usagespicture
namecandelas del cielo-Estrella Morente
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namePORTUGUÉS- COBITOS
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nameSANTAMARÍA- PEPE DE LA MATRONA
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namePAQUIRRI 3- FERNANDA DE UTRERA
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namePART B
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