The application of creative practice as a means of disrupting or re-defining the dynamics of power in, with or for different communities.

Sabrin Hasbun

About this exposition

In this exposition, seven research practitioners investigate how creative practice can be applied as a form of knowledge production in order to disrupt or re-define the dynamics of power in a range of different contexts. These applications of creative practice take varied and complex forms, often transferring creativity from the practitioner-researcher to their participants, increasing participant agency or re-defining existing hierarchies, as they form, empower, and enlighten real and conceptual communities. This collaborative exposition has been developed through presentations and discussions over the course of two years. Although each researcher applies different methodologies to their individual projects, our work as a group followed a pattern of creative practice, reflection, and reformulation, as we responded to each other’s research, creating a research community of our own. We want to emphasize that creative practice can not only disrupt or re-define the dynamics of power in a range of different contexts, but that it can do this in an infinite number of ways. In this variety and adaptability lies the potential of creative research.

type	research exposition
keywords	community, community based art work, community of practice, interdisciplinarity, power relation artist community, creative methodologies, collaboration, collaborative creativity, printmaking, artist book, open score composition, nuclear aesthetics, public sculpture, sculpture in activism, agency, museum, creative writing, immersive theatre, transmedia, performative writing
date	28/10/2022
published	28/10/2022
last modified	28/10/2022
status	published
share status	private
copyright	Sabrin Hasbun, Rachel Carney, Harry Matthews, Catherine Cartwright, Gareth Osborne, Julika Gittner, Agnes Villette
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/1264307/1748107
doi	https://doi.org/10.22501/jar.1264307
published in	Journal for Artistic Research
portal issue	27. 27

name	Hasbun-map_cleanD
copyright	Sabrin Hasbun
license	All rights reserved
usages	picture

name	RISING_artist_book_CCartwright
copyright	Catherine Cartwrite
license	CC BY-NC-ND
usages	video

name	CCartwrightbiblio
copyright	Catherine Cartwright
license	CC BY-NC-ND
usages	picture, picture

name	Ekphrastic Writing
copyright	Rachel Carney
license	CC BY-NC-ND
usages	picture

name	left hand image-rachel
copyright	Rachel Carney
license	CC BY-NC-ND
usages	picture

name	centre image
copyright	Rachel Carney
license	CC BY-NC-ND
usages	picture

name	right hand image
copyright	Rachel Carney
license	CC BY-NC-ND
usages	picture

name	Storyhaven
copyright	Gareth Osborne
license	CC BY-NC-ND
usages	picture

name	JAR exposition - Storyhaven (1)
copyright	Gareth Osborne
license	CC BY-NC-ND
usages	video

name	1_CONSULTATIONgeneral2
copyright	Julika Gittner
license	All rights reserved
usages	video

name	consultation
copyright	Julika Gittner
license	CC BY-NC-ND
usages	image

name	3_RENT-general
copyright	Julika Gittner
license	All rights reserved
usages	video

name	RENT
copyright	Julika Gittner
license	CC BY-NC-ND
usages	image

name	Grab of Harry's score
copyright	Harry Matthews
license	CC BY-NC-ND
usages	picture

name	Filtered Reality (a Garden in London on the 29th June, 2020)
copyright	Harry Matthews
license	CC BY-NC-ND
usages	audio

name	Agnes
copyright	Agnes Villette
license	CC BY-NC-ND
usages	picture

name	photo 2
copyright	Agnes Villette
license	CC BY-NC-ND
usages	picture

name	photo 3
copyright	Agnes Villette
license	CC BY-NC-ND
usages	picture

name	post 2 Viral Fictions
copyright	Villette
license	All rights reserved
usages	picture

name	post 1 Viral Fictions
copyright	Agnes Villette
license	All rights reserved
usages	picture

name	Sabrinpic
copyright	Sabrin Hasbun
license	CC BY-NC-ND
usages	picture

name	Hasbun JAR Image
copyright	Sabrin Hasbun
license	All rights reserved
usages	picture

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The application of creative practice as a means of disrupting or re-defining the dynamics of power in, with or for different communities. (2022)

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