Research Catalogue

About this exposition

Can I, by reaching for the utmost limits on my instrument, in dynamically, technically and pitch related ways both find, for me, new contemporary techniques and expand the ways on how to play and perform them on the double bass? Can I, by illuminating, documenting, studying, organizing and re-documenting my musical process, design a toolkit for improvising bassists with contemporary techniques? Can I, in my musical process both act as the first person, i.e. the subjective musician and as the third person, i.e. the objective observer?  If so, can I, as the observer objectively observe and organize the ”discoveries” that I am doing in my daily work as first person. Can I create this tool kit through the limitations that my instrument offers acoustically (the hand, the bow and the bass). And can I through this immerse and widen my musical expressions? - A richer language - more elastic - with more colors.

type	research exposition
keywords	contemporary techniques for the double bass, double bass, improvisation
date	11/05/2021
last modified	20/11/2022
status	in progress
share status	public
copyright	Johannes Nästesjö
license	All rights reserved
language	English
url	https://www.researchcatalogue.net/view/1255329/1255330
external link	www.nastesjo.com

name	184 B Johannes Arkiv
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	6 a wave
copyright	Johannes Nästesjö
license	All rights reserved
usages	audio

name	sinusvåg RC
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture, picture, picture, picture

name	picture#1
copyright	Johannes Nästejö
license	All rights reserved
usages	picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture, picture

name	205 Johannes Arkiv
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	½ CLT Rosin Bounce
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	Nr 90
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	Halina bild 2
copyright	Ida Gustavsson
license	All rights reserved
usages	picture

name	Noisecollage Halina.wav
copyright	Johannnes Nästesjö
license	CC BY-NC-ND
usages	audio

name	Appellen Final version
copyright	Johannes Nästesjö & Ida Gustavsson
license	CC BY-NC-ND
usages	audio

name	Skärmavbild Brötz
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Skärmavbild K Primi
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	1 control - uncontrol
copyright	Johannes Nästesjö
license	All rights reserved
usages	audio

name	uncontrol – control
copyright	Johannes Nästesjö
license	All rights reserved
usages	audio

name	94 Johannes Arkiv
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	G-major scale – two octaves-one string – tone-overtone
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	G-whole tone scale – two octaves-one string – tone-overtone
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	The Partials on the G-string – from thumb position to ½ position and a little bit more
copyright	Johannes Nästesjö
license	All rights reserved
usages	video

name	Bier bass 2foto
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Sandell & Nästesjö
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Sandell Nästesjö - take 08 - Mix
copyright	Johannes Nästesjö & Sten Sandell
license	All rights reserved
usages	audio

name	Sandell Nästesjö - take 09 - Mix
copyright	Johannes Nästesjö & Sten Sandell
license	All rights reserved
usages	audio

name	Video analysis
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture, picture

name	Studio 1
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture, picture

name	Studio 2
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture, picture

name	Reaper 230 spår
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture, picture

name	I recorded 230 tracks
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture, picture

name	seals IV_SCORE_ver122_B4
copyright	Henrik Denerin
license	All rights reserved
usages	pdf

name	debajo - Full Score (1)
copyright	Jonatan Sersam
license	All rights reserved
usages	pdf

name	Affe & Johannes Ex RMC mars 2021
copyright	Johannes Nästesjö & Anders Lindsjö
license	All rights reserved
usages	video

name	Matt & Johannes Snippet from NOv 20th 2021
copyright	Johannes Nästesjö
license	All rights reserved
usages	audio

name	Jørgen Teller & Johannes Snippet from NOv 20th 2021
copyright	Johannes Nästesjö & Jørgen Teller
license	All rights reserved
usages	audio

name	Jorgen-Johannes-bild-1-20211112
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Margaux & Johannes Snippet from 20210928
copyright	Johannes Nästesjö & Margaux Oswald
license	All rights reserved
usages	audio

name	Möss på vinden
copyright	Johannes Nästesjö
license	All rights reserved
usages	pdf

name	Rymndresan
copyright	Johannes Nästesjö
license	All rights reserved
usages	pdf

name	Bass from the 16th century
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Nykapad skog – Småland
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Förstasidebild
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	seals & Lager Partitur + Henrik
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Lager Live
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Lager 1 bild efter konsert
copyright	Johannes Nästesjö
license	All rights reserved
usages	picture

name	Program-Rydal
copyright	Johannes Nästesjö
license	All rights reserved
usages	pdf

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Reaching for the utmost limits – Making a process visible with The Hands, the Bow, and the Bass (last edited: 2022)

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