Exposition

Debris (Enlightenment Panel no 2) (last edited: 2024)

Zoe Panagiota (aka Betty) Nigianni

About this exposition

Sculpted and painted wood, combined with treated rusty objects. Duct tape with boat paint models for metal sheet sculptures, 2020. Digital drawings, 2021, 2023. Dutch steel sailing boat part-restoration and renovation, Amsterdam (with Sean A. Hladkyj), 2019 until summer 2020. I exposed relief and improvised sculptures made with industrial paints, as well as found objects, to weather conditions, including heavy rain and wind, over a few months on a floating timber raft. Working with the changes the weather was causing to the ad hoc studio, I made changes until the painting was finished, photographed, then dumped. Someone collected the relief. I applied the colours from those available in a symbolic manner, abstracting the view of a ghetto in a large city. The objects stand for the landmarks. The pieces would comprise of the scenography for a theatre performance, informed by my conversations with a theatre lighting technician. The performance would also include a donation event of the art objects. See external link for the theatre play, based on the tradition of the philosophical dialogue and employing the idea of performing philosophy to make it accessible to a wider audience. Political asylum has been traditionally offered to people who flee from their countries of origin and citizenship, because of violations of their dignity, which is a human right, and other basic human rights, such as safety and liberty, due to their political beliefs and related activities, if any. Currently, seven human rights of mine, five basic, have been infringed in the United Kingdom, where I have been a citizen since 2011; the origin is my native Greece. Political asylum is only offered to people, who are non-citizens of the country where asylum is sought from. At the same time, political asylum has become harder to offer, due to the global nature of persecution of whoever is perceived as a dissident by authoritarians. Since 2013, Forza Nuova, the Italian affiliate of the Greek Golden Dawn, has participated in the organised international criminal case, of which I have been the target, originating from my native Greece, "accelerating" in the Netherlands and the UK in 2020, Covid-19. This happened with the theft of my personal details, specifically my Greek driver's license number, by Italians, in Amsterdam, in the winter of 2020. My number was used on three fake Italian driver's licenses,in my name known as (aka), for criminal activity in the UK. My name known as (aka) was also used on three fake Italian passports for fictitious female Albanian citizens. Notably, Roberto Fiore, Forza Nuova's leader, inherited briefly Alessandra Mussolini's post in the EU parliament. All the more so, after mediation with the Albanian government, the Italian government settled in the autumn of 2024 one remaining fake Italian passport for a fictitious Albanian citizen, probably in connection with Golden Dawn, who had their own three MPs in the EU parliament. Rumours have it that Fiore was once upon a time an MI6 agent. It is confirmed that he has ties with the British National Party (BNP), the British XRW component. Drawing on the philosophical notion of impossible objects, the works attempted an indirect postcolonial critique: a suggestion for alternative, autonomous and communitarian lifestyles; and a performative metaphor for global refugees of all kinds. At the time, in autumn 2019, I had attended an environmental protest in Amsterdam that was generally peaceful. Investigatory research with artworks, some of it carried out in Amsterdam, the Netherlands, where I was a philosophy student, from 2017 until late 2019, and remained until the beginning of autumn 2020. I did not have student insurance, as it was obligatory, because I was covered by the NHS through EHIC (European Community coverage), while the UK was still in the EU. I didn't have travel insurance either. A Dutch travel insurance, under the reference number E111, was opened by unknowns on my behalf in the summer of 2020, but was closed as fraudulent after I reported to the Dutch fraud authority. Presentation of work in progress. I have one-sixteenth Italian ancestry from a great grandfather on my father's family's side. His first name was Gianni. Locals in Greece, where he moved in the nineteenth century, used his Italian first name to create a Greek surname in order to Hellenicise him. The reasons for leaving his native Italy to go to Greece then are unknown; so is his Italian surname. See exposition in connection with "The Origins of the Game", "The Loot" and "XRW (Implicature)".
typeresearch exposition
keywordsabstract painting, perspective, collage, relief, boat design, epic theatre, surveillance, Sculpture, community, post-colonial, digital drawing, scenography, global, local, Forensic photography, economy, tribalism, crime, activism, environmental awareness, nationalism, capitalism, politics, political aesthetics
date31/01/2021
last modified22/12/2024
statusin progress
share statuspublic
affiliationIndependent, University of Amsterdam
copyrightZ.P.Nigianni
licenseAll rights reserved
languageBritish English
urlhttps://www.researchcatalogue.net/view/1139316/1139317
external linkhttps://www.researchcatalogue.net/view/787709/787710


Copyrights


comments: 1 (last entry by Zoe Panagiota (aka Betty) Nigianni - 07/03/2023 at 16:09)

"The British nation proved to be adept not at the Roman art of empire building but at following the Greek model of colonization. Instead of conquering and imposing their own law upon foreign peoples, the English colonists settled on newly won territory in the four corners of the world and remained members of the same British nation." - Hannah Arendt, The Origins of Totalitarianism, p.165.

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