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Body Language (2016)

Charlotte Houberg
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Name: Charlotte Houberg Main Subject: Classical Singing Research Supervisor: Gerda van Zelm Title of Research: Body language of a singer on stage Research Question: How can a singer on stage use his body language to support his expression? Summary of Results: By the use of different research methods, there have been created ideas and strategies to become aware of your body language and how to use it in a confident way on stage. Body language is, next to singing, an equally important communication tool for singers on stage. It shows knowledge of the movements of the body and understanding of the role or character. The libretto can be translated into body language, so the audience can understand it without knowing exactly what text is sung. It can be concluded that all body parts can be chosen to show a certain mood which fits within the role or character. Gestures do not have to be over- exaggerated, because the audience is able to see and interpret small signs, even from a distance. Consciously chosen body language is easier to decode than spontaneous body language and can be more convincing, even though the singer is not in that certain mood. Body language is part of the luggage of a singer and a tool for showing his expression and intentions. I chose for the form of a research paper, because I would like to share new or expanded knowledge with my colleagues by doing an in-depth research. Biography: Charlotte (1991) takes part in Studio 32, an opera studio of her teacher Henny Diemer. She sang the roles Amor (Cadmus et Hermione), Zerlina (Don Giovanni) and Bess (Porgy and Bess). She had a tour with Sinfonia Rotterdam and sang solo with several Dutch orchestras. In Jordan she performed Miroir de Peine of Andriessen with the Amman Orchestra. She has been invited for chamber concerts and has given song recitals on several stages of the Netherlands. From the oratorio repertoire she sings regularly the Matthew Passion (Bach) and the requiem (Fauré and Mozart). She will sing the role First Witch in the new opera of Andriessen (The Theatre of the World) in LA and Amsterdam.
typeresearch exposition
keywordsbody language, singing, role, character
date29/10/2014
published13/06/2016
last modified13/06/2016
statuspublished
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/104326/248642
doihttps://doi.org/10.22501/koncon.104326
published inKC Research Portal
portal issue1. Master Research Projects


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nameMaster Research Charlotte Houberg 2016
copyrightCharlotte Houberg
licenseAll rights reserved
usagespdf

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