Exposition

From the pit to the stage: a comparative approach to solo bass playing (2021)

Felipe Devincenzi
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About this exposition

This research attempts to translate technical skills and notions from lyrical singing to double bass playing. Based on the Donizetti-Bottesini partnership, the idea was highly influenced by translation concepts developed by theorists Ricardo Piglia and Walter Benjamin. Research strategies include expert feedback, side by side work with tenors, experimental practice and extensive recording analysis on selected repertoire. Together, they outline a basic strategy that enriches solo performance. Conclusions could be applied to any similar repertoire by any other performer who reads this report.
typeresearch exposition
keywordsdouble bass, opera, translation, technique, vibrato, inner singing
date01/07/2020
published01/03/2021
last modified01/03/2021
statuspublished
share statusprivate
affiliationCodarts, Hogeschool voor de Kunsten
copyright(c) Felipe Devincenzi
licenseAll rights reserved
languageAmerican English
urlhttps://www.researchcatalogue.net/view/1029878/1029879
published inCodarts
portal issueCodarts Artistic Research Reports.
external linkwww.codarts.nl


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nameFelipe Devincenzi Ferreyra - Artistic Research Report
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