Research Catalogue

an international database for artistic research

• 7. PhD 2023 PhD 2023
• 6. PhD - KMD 2022 PhD - KMD 2022
• 5. PhD - KMD 2021 Thesis under evaluation
• 4. Articles Various articles published in the KMD portal.
• 3. Crisis Collective - contributions to a lost conference Crisis Collective - contributions to a lost conference
• 2. PhD - KMD 2019 Finished thesis. 2019
• 1. Past projects - 2018 and prior Projects KMD

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  Between languages – seminar, exhibition, workshops (last edited: 2021) author(s): Linda H. Lien, Charles Michalsen, Ashley Booth, Hilde Kramer connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  Inspired by the Austrian philosopher Otto Neurath’s statement from the 1920s, Words divide, pictures unite, and his vision to democratize communication through creating a common visual language, we investigate how visuality can brigde the gaps between people with different cultural and social backgrounds.
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  Kelp Spillages (last edited: 2021) author(s): Francisco Trento connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  *** This is a work in progress, not spell-checked and far for deployment.*** In this multimodal essay, I discuss some of the practices and experiences from the first Kelp Congress, part of the Lofoten International Arts Festival (LIAF, 2019). In the context of the festival, I participated in a workshop navigated by Dr Sabine Popp, Kelp Diagramming Collective. Transversally I touch issues regarding non-human agency, intra-action (Barad, 2003), and especially the understanding of the vegetable and algae life as the paradigm for thinking and developing new subjectivities and art (or not) practices, guided by the work of the Italian philosopher Emanuele Coccia. This essay was supposed to be presented in a video/online 30-min format during the 11th SAR International Conference on Artistic Research 2020 is organized by the Society for Artistic Research (SAR), Bergen.
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  Pictogram-me (last edited: 2020) author(s): Linda H. Lien, Ashley Booth connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  An investigation of how pictograms can contribute to increased reflection on life’s complexity.
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  Methodomania (last edited: 2019) author(s): Linda H. Lien, Bente Irminger connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  In the artistic research project 'Not design, but design' we have explored social design and the extended designer role.
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  Nomadic Conversations- Cyprus (last edited: 2019) author(s): Johan Sandborg connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  Nomadic Conversations research approach utilities participatory practices, where ideas and decisions develop through a responsive process in order to address both tangible and intangible knowledge. This is organised as interwoven, overlapping and interrelated meeting points, sites for single or multiple field trips. Nomadic Conversations constitutes characteristics of potential instability, conflict, memory of tragedy and repressed history.
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  DESERT DWELLING (last edited: 2018) author(s): Christine Hansen connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  Desert Dwelling is a research project conducted by Associate professor Christine Hansen and Independent Artist Line Anda Dalmar. The desert is used as a site and framework to reflect on landscape, environment and time. In addition, Desert Dwelling endeavor to explore the act of observation and documentation. The project uses common documentation/observation methods such as photography, video and sound. In addition, we employ more obsolete and time-consuming observation means such as drawing, casting and watercolor painting. This is to stress that different observation methods render the world differently, and provide noninterchangeable information about the world. Much of the visual material is from a field study in deserts in California in spring 2018. The study took place mainly in Death Valley and Joshua Tree and had a processual method. We selected a place in the desert and stayed there until we found something interesting to work with. Every day, we made experiences that we built on the next day. The working method focused on the fluid relationship between process, work and documentation.
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