SAR Conference 2020
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About this portal
https://www.researchcatalogue.net/view/1157329/1157330
https://www.researchcatalogue.net/view/1157329/1157330
https://www.researchcatalogue.net/view/1157329/1157330
https://www.researchcatalogue.net/view/1157329/1157330
https://www.researchcatalogue.net/view/1157329/1157330
url:
https://www.researchcatalogue.net/view/1157329/1157330
Recent Issues
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2. SAR conference - Crisis Collective
SAR conference - Crisis Collective
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1. SAR conference - presentation archive
Presentations from the SAR 2021 conference
Recent Activities
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Crisis Collective - Annette Arlander
(2022)
author(s): Jonas Howden Sjøvaag, Deniz Peters, Anne-Helen Mydland
published in: SAR Conference 2020
Annette Arlanders contribution for a lost conference
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Crisis Collective - Adrianna Hlukhovych
(2022)
author(s): Jonas Howden Sjøvaag, Deniz Peters, Anne-Helen Mydland
published in: SAR Conference 2020
Presentation for the cancelled conference "Crisis Colelctive". Created as an exposition by Jonas Sjøvaag, Author name is listed in the title.
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Archived presentations from SAR 2021 - Vienna
(2022)
author(s): Jonas Howden Sjøvaag
published in: SAR Conference 2020
The 12th SAR Conference on Artistic Research of the Society for Artistic Research in 2021 was hosted by mdw – University of Music and Performing Arts Vienna in cooperation with the Academy of Fine Arts Vienna and the University of Applied Arts Vienna. It was oriented on the three attractors "care", "dare" and "share" and was the first SAR conference to be organized as a live online event. The online format also reached out in order to facilitate participation by individuals from new geographical regions and invited artistic researchers to share their work, processes, methods, discoveries, knowledge interventions, new insights, and understandings and to engage in exchange—in actions and words, and in ways complex and simple, conventional and unconventional, robust and fragile.
A selection of conference contributions has been assembled for documentation in this roof exposition managed by Jonas Howden Sjøvaag.
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SAR 2021 presentation - Korsten Dejong
(2022)
author(s): Jonas Howden Sjøvaag
published in: SAR Conference 2020
In their Paper Performance ‘Elastic Ekphrastic,’ Korsten & De Jong will test the translatability of an ‘original.’ They will explore what narrative is formed out of the context of instruments of translation. What is the agency of misunderstanding, misinterpreting and miscommunication? And if one translates, does one free a text from a fixed meaning or does one force the text in yet another prison of meaning? Korsten & De Jong conduct artistic research through recorded dialogues over the phone with bad connections and interruptions. After transcribing the dialogues, they combine different conversations, they switch position, manipulate the texts and translate them. They will attend the conference via a live conversation in a long distance call with Austrian interpreters that live outside of Austria. This paper performance also reflects on the current SARS-CoV-19 measures in which live communication is a dangerous action forcing the dialogue to take place behind plexiglass panels and computer screens.
“If science attempts to understand the phenomena of the world, this understanding is communicable only when the world re-emerges through the scientist’s instruments – either through statistics, or formulae, or diagrams, or images. Thus, it can be argued that the world is presented after undergoing a treatment of translation. (12)”
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SAR 2021 presentation - Gonzalo H. Rodriguez
(2022)
author(s): Jonas Howden Sjøvaag, Gonzalo H. Rodríguez
published in: SAR Conference 2020
Please enter your own abstract here.
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Mapping the Unseen(the virtual Mapping)
(2022)
author(s): Katrin Ackerl Konstantin
published in: SAR Conference 2020
Mapping the Unseen investigated unseen, undiscussed topics - topics that are absent from public discourse, because of their implicit social taboo potential.
The artistic research was carried out by means of mapping, encompassing performative interventions and an interactive archive. It was realised with artists and art groups in four countries: Croatia, Iran, Bangladesh and Austria. The research method was interwoven with transdisciplinary methods. Enabling a visualisation of the respective topics and generating dialogue through participatory processes were at the core of this project.