The other's sonic experience; Bus22
(2021)
author(s): Kim Minji
connected to: Royal Academy of Art, The Hague
published in: Research Catalogue
The research includes one and a half years of artistic practice and research about the sonic experience while highlighting the exploration of the ‘Sonic experience of the others’.
It starts from a first-person – myself; what I am listening to now? It quested by sound notation in an explicit form and listening performance to understand the structure of hearing in a philosophical way.
Then, the research shows how the writer’s interest moved to ‘the other’ with the question: What is this I’m listening to and how is it different what you’re hearing? and attempts to bring the method of fiction to reveal the third person’s sonic experience.
Bus 22 is an audio-playback fiction with visual instructions. It helped by two keywords, Anamnesis: mnemo-perceptive effects, and Voice in thoughts: storytelling.
At the last, the author talks about difficulties in the process, nevertheless, the perceived artistic value of the topic as non-objected oriented sound art.
Cloud Fidget
(2021)
author(s): Sebastian Martinsen
published in: Research Catalogue
A squishy fidget thing to light up your mood
Water Lily
(2021)
author(s): Magdalena Maria Miazga
published in: Research Catalogue
E-textile sensor sketch project
Desktop Friend
(2021)
author(s): Ole Andreas Nøstdal Stavå
published in: Research Catalogue
A simple squish toy with personality. When placed in it's cup, it lights up with happiness.
Queers, Crips, and Mermaids: Disruptive Bodies as Performative Objects
(2021)
author(s): Kamran Behrouz
published in: Research Catalogue
This chapter attempts to analyze and unfold interlinked layers of a research-performance, in two interconnected site-specific Acts. First Act (Collision) happened in St. Moritz 2020 and the second Act was performed a year later in Bern 2021 . By adopting the notion of “cosmopolitics” as a method, this Performance attempts to speculate inter-relativity of human and non-human bodies within the capitalist matrix of species hierarchy. Through comparative analysis of different psycho-cultural/political narratives, this text attempts to map out interconnected traumas of transspecies; wounds and scars that are older than our bodies, older than ourselves. This text uses diffractive reading of these two Acts through the histories of the figure of the mermaid and the witch, In order to queer the hegemonic interpretations of both figures.
auto-ethno r/c
(2021)
author(s): christian scott
published in: Research Catalogue
performing autoethnography requires writing that is dangerous, messy, risky.