Place to Action! Art that Inteferes
(2022)
author(s): Thalia Hoffman, Yannick Schop, Lakisha Apostel, Maryam Touzani, Alicia Cotillas Vélez, Robin Whitehouse, Bødvar Hole, Miro Gutjahr, Žilvinas Baranauskas, Anne-Claire Flora Mackenzie, Gaetan Langlois-Meurinne
connected to: Royal Academy of Art, The Hague
published in: Research Catalogue, KC Research Portal
The course Place to Action - Art that Interferes is motivated and inspired by places. More specifically: the histories, contexts, narratives, situations, circumstances and people’s interactions and intra-actions and relationships with locations, which form places. Lingering in places with attention, listening to them and experimenting the possible ways of movement within them.
These attentive gazes of places will initiate interdisciplinary artistic actions and interventions that aim to explore and reflect the possibilities of art to interfere.
Here on this exposition the group will share their findings and actions.
Performance Anxiety - Creating a Warmup Using Mindfulness Techniques
(2022)
author(s): Enikő Szili
published in: Research Catalogue
Within this self-study, I aim to create an effective warmup that prepares me mentally for performance situations, and which can reduce my level of stress in such scenarios. As a dancer who often suffers from stage fright, finding a solution is a challenging, yet an important step to take.
Embodiment & Dance - The importance of movement research through verbal cues in dance improvisation
(2022)
author(s): Karin Heller-Dani
published in: Research Catalogue
Would a regular guided movement research practice could enhance the experience of free-form dance, in what ways, and why? How would such a practice change or enhance the ways people feel about their movement, their bodies, and their relation to themselves? What sort of verbal cues could be used to guide such an exploratory movement practice?
Like A Rolling Stone
(2022)
author(s): Stephen Edward Bottomley
published in: Research Catalogue
Like a Rolling Stone was an international workshop and exhibition exploring the themes of relocation, transplantation, camouflage, identity and materiality through mixed media art jewellery. Geology and geophysics were examined as an analogy for the theme of population displacement.
In 2016 the Italian Cultural Institute (ICI) approached the department of Jewellery and Silversmithing, Edinburgh College of Art /The University of Edinburgh with a view to organising a series of events focusing on and celebrating gemmology and contemporary jewellery.
Stephen Bottomley + Susan Cross invited three Italian Jewellery artists: Maria Rosa Franzin, Gigi Mariani and Gabi Viet alongside seven UK based artists, Jessamy Kelly, Rhona McCallum, Jo Pudelko, Jessica Turrell and Cristina Zani, to undertake field work in North Berwick, an area frequently visited by the Geologist James Hutton, as a backdrop to the political themes surrounding population displacement.
Over the year following the Edinburgh workshop the project was developed in the artists home countries and exhibited in Munich and Edinburgh over 2018 with support from the School of Jewellery, Birmingham City University.
The exhibition is intended to tour later in 2021.
FERROcity: Iron in the city
(2022)
author(s): Stephen Edward Bottomley
published in: Research Catalogue
Jewellery and objects by twenty-two contemporary makers displayed alongside gemmological samples and photography that explores the interpretation and influence of Iron as catalyst, material and fundamental element of life. The exhibition was co-curated by Professor Stephen Bottomley, Head of School and Elizabeth Turrell visiting Professor at School of Jewellery, Birmingham City University.
This 2019 international touring exhibition brought together fascinating artistic responses to the theme of iron by twenty-two contemporary makers, including works by academic staff from Birmingham’s eminent School of Jewellery and invited international artists.
It explored iron is a material that has become synonymous with human life and civilisation and as such has become embedded in both our language and understanding of the world
FERROcity showcased a breadth of approaches to this fascinating but familiar material. Ideas explore the interpretation and influence of Iron as catalyst, material, and fundamental element of life, culminating in contemporary metalwork and jewellery ranging from steel vessels to recycled iron nail jewellery. Alongside this gemmological samples and photography taken on specialist microscopes was commissioned from the Gemmology department at the School of Jewellery which captured the transformative effect iron has on the colouration of gemstones.
The show opened in Germany at the Museum Reich der Kristalle, Mineralogical State Collection, Munich and ran in tandem with the city’s international jewellery fair ‘Inhorgenta’ in February 2019 and ‘International Jewellery Week’ and ‘Schmuck’ exhibitions over February and March 2019. The exhibition then moved to the Vittoria Street Gallery, Birmingham, United Kingdom, April 2019 and was invited to China as a special exhibition at the 4th International Art Jewellery Exhibition at the Beijing Institute of Fashion and Textiles October 2019 before moving to the Academy of International Visual Arts, Shanghai November 2019 until it closed in December 2019.
Exhibitors
School of Jewellery:
Dauvit Alexander, Jivan Astfalck, Stephen Bottomley, Jeremy Hobbins, Bridie Lander, Anna Lorenz,
Sarah O’Hana, Drew Markou, Toni Mayner, Jo Pond, Rebecca Steiner, Elizabeth Turrell.
Invited artists:
Marianne Anderson, Tim Carson, Rachael Colley, Bettina Dittlmann, Christine Graf, Kirsten Haydon, Michael Jank, Joohee Han, Simone Nolden Jo Pudelko.
Exhibition Dates:
Germany, Munich | 21st February to 17th March 2019
United Kingdom, Birmingham| 1st April to 18th April 2019
China, Beijing |18th October to 28th October 2019
China, Shanghai| 31st October to 30th November 2019