Research Catalogue

an international database for artistic research

• 9. Publications 2025 KMD Artistic Research
• 8. PHD 2024 phd fellows
• 7. PhD 2023 PhD 2023
• 6. PhD - KMD 2022 PhD - KMD 2022
• 5. PhD - KMD 2021 Thesis under evaluation
• 4. Articles Various articles published in the KMD portal.
• 3. Crisis Collective - contributions to a lost conference Crisis Collective - contributions to a lost conference
• 2. PhD - KMD 2019 Finished thesis. 2019
• 1. Past projects - 2018 and prior Projects KMD

• Økt interesse for kreativitet åpner for nye designerroller- men skaper også behov for rolleavklaringer (2020) author(s): Bente Irminger published in: Faculty of Fine Art, Music and Design, University of Bergen
  De siste årene har den tverrfaglige innovasjonsprosessen «Design Thinking» gjort at en større del av næringsliv og offentlig sektor har begynt å interessere seg for designfaget. Mens faget tradisjonelt har vært knyttet til utforming av produkter og forming av omgivelser, kan design i dag handle om metoder og prosesser, noe som gjør faget relevant for flere samfunnsområder. I artikkelen presenterer vi noen hovedkjennetegn ved designfaget i dag, og drøfter også hvilke forventninger og ulike designerroller nyutdannede designere møter og kan komme til å møte i fremtiden.
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• BETYDNINGEN AV KLANGLIGE OG VISUELLE ROM I INNSPILT MUSIKK (2020) author(s): Mari Nesvold Limited publication. Only visible to members of the portal : Faculty of Fine Art, Music and Design, University of Bergen
  - Et kunstnerisk eksperiment
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  Frozen Moments in Motion – An Artistic Research on Digital Comics (2019) author(s): Fredrik Rysjedal connected to: Norwegian Artistic Research Programme published in: Faculty of Fine Art, Music and Design, University of Bergen
  What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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  Tracing gravity (2019) author(s): Geir Harald Samuelsen connected to: Faculty of Fine Art, Music and Design, University of Bergen published in: VIS - Nordic Journal for Artistic Research
  The goal of this exposition is to investigate the particular qualities of painting and mountain climbing. Do they have their own aesthetics, their own processes and patterns of movement, their own environmental structures and psychology – and do they share some of these characteristics? The texts and pictures in this exposition, four essays all together, deal with the potential of mountain climbing and painting to map out space, quietude, euphoria, fear, skill, autonomy, instrumentality and movement in an expanded field.
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  Between instrument and everyday sound (2018) author(s): Ruben Sverre Gjertsen connected to: Faculty of Fine Art, Music and Design, University of Bergen published in: Norwegian Artistic Research Programme
  The aim of the project is to explore multidimentional, amorphous and vague expressions arising when many aspects of the music are given more independent roles than in traditional musical writing styles. What interests me is to manoeuver within a continuum of means, where the historical sounds of the instruments are there as just one extreme within a continuum.
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  Bridge (last edited: 2025) author(s): Johan Sandborg connected to: Faculty of Fine Art, Music and Design, University of Bergen This exposition is in progress and its share status is: visible to all.
  Through a dialogue with an historical archive the project seeks to construct a fluid story of a confined landscape on the point of transformation. Through the negotiation of a multitude of images the project constructs a narrative that transcends the photographic vision as evidence, and questions whether vision can be more than comparable to the ground of an archaeological excavation. Through the use of the photographic essay as a method the intention is to try and interpret the changeability of the urban landscape.
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