The primary knowledge about cane, by Theophrastus.
(2022)
author(s): Christos Tsogias-Razakov
published in: Research Catalogue
The following material is a short excerpt from the master’s research exposition: THE IMPORTANCE OF ARUNDO DONAX CANE SELECTION, FOR MANUFACTURERS OF OBOE REEDS (2020) by Christos Tsogias-Razakov. It is mentioned that already from the period of classical antiquity existed methods that helped manufacturers to make playable reeds for the instruments of that time.
"Αdagio e Rondo” for oboe and piano accompaniment, by Josef Vitzthum (1815-1884). The oldest oboe piece that is associated with the newly formed independent Greek State.
(2022)
author(s): Christos Tsogias-Razakov
published in: Research Catalogue
Excerpt from the lecture at the "Portitsa" Festival about the musical piece “Adagio e Rondo” for oboe and piano by the Bavarian composer Josef Vitzthum (1815-1884). It is considered the oldest oboe work related to the newly formed independent Greek state. It came to the surface after more than a century, from the moment of its creation, during the doctoral research on oboe works by Greek composers.
Christos Tsogias-Razakov
Oboist - Ph.D. Candidate
Tsogias-Razakov, Christos. “‘Αdagio e Rondo’ oboe and piano by Josef Vitzthum (1815-1884)” First Festival of Portitsa. Lecture, August 5, 2022.
Queerin’ the Hoggee
(2022)
author(s): Marko Mikael Marila
published in: Research Catalogue
Inspired by my lifelong history in working with horses, especially through the philosophy of natural horsemanship, Queerin’ the Hoggee draws attention to the complicated human-animal relationships in the industrial past.
Voices in Nature: A Sensory Experience of the Hatertse and Overasseltse vennen
(2022)
author(s): Maarten Hendrik Jan Bekhuis
published in: Research Catalogue
As part of the Visual Ethnography master’s at Leiden University, this interactive website invites you to join my interlocutors and me to walk, hear and see with us the Hatertse and Overasseltse fens (near Nijmegen). After four months of fieldwork – I conducted semi-structured interviews, recorded collaborative footage and performed sensory walks – I studied human-nature relationships of educated individuals with extensive knowledge of this area. In presenting the various experiences, I analysed four workable concepts (wind, noise, crowdedness, and pathways) that shape the immersive perception of visitors. This interactive website and creative methodologies used provided me as a visual anthropologist with possibilities to research human-nature encounters within the epoch characterised as the Anthropocene. So, walk with us and experience this extraordinary environment!
Co-authoring the Future: Stories from the Road
(2022)
author(s): Jessica Renfro
published in: Research Catalogue
Framed by the metaphor of a road trip, this exposition explores the use of participatory performance in building cultural discourse about decision-making during the climate crisis. Using Rancière’s concept of the emancipated spectator, common human experiences such as childhood development of subjectivity (acquired through Lacan’s mirror phase and symbolic order) and image schemas (as discussed in Mark Turner’s The Literary Mind) are explored as possible strategies for co-authoring an artistic landscape alongside spectators. An audio narration accompanies the written work, attempting to explore these theories in the form of a correspondence between the author and her elusive self-awareness. Each track reflects on these individual-but-common experiences as a method for creation. The author concludes that a co-authored artistic landscape may only be accessible to participants who are enticed to set aside limiting social norms in order to explore it, and this is the challenge of the artist.
rådjuren flyger i skogen
(2022)
author(s): Anna Nygren
published in: Research Catalogue
Detta är en text fristående från men ändå del av mitt forskningsprojekt om våldtäktsmotivet i Monika Fagerholms
Vem dödade bambi? och Fredrik Backmans Björnstad. Jag har skrivit ner min läsning som poesi, för jag tror att
poesin är ett språk som kan tillföra något. Jag har skrivit ner mina känslor och tankar för jag tror på ett slags
”situated knowledge” att det är viktigt att minnas vem man är och från vilken punkt man läser texten. Jag vill
använda detta för jag tror att det privata är politiskt och att forskningen är personlig, och att jag är begränsad i min
gränslöshet, det finns inget objektivt. Denna text är ett undantagstillstånd och ett resultat av en plats och en tid. Jag
tror att någonstans i denna text kan något relevant hittas.