Rhythmic Music Conservatory Copenhagen
About this portal
Artistic researchers at Rhythmic Music Conservatory develop and disseminate new insights and knowledge within the field of contemporary music as an integrated part of their tenure position. Expositions presented on this RC portal have been peer reviewed by international peers before final publication. Expositions of research in-progress represent the researcher’s ongoing communication about a research project and has not been peer reviewed.
Read about our criteria for peer review here: https://rmc.dk/da/fou
contact person(s):
Søren Kjærgaard ,
Mimmi Bie url:
https://rmc.dk/en
Recent Issues
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4. Published research by Staff 2023
Published research, 2023
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3. Published research by Staff 2022
Published research by staff 2022
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2. Published research by Staff 2021
Peer rewieved research published in 2021
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1. Published research by Staff 2020
Peer reviewed research published in 2020-21
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0. Published research by Advanced Postgraduate Diploma students
Select final projects of our Advanced Postgraduate Diploma Students
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0. Ongoing research by staff
A look into ongoing projects
Recent Activities
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a new kind of vaziri
(last edited: 2024)
author(s): Puyain Sanati
This exposition is in review and its share status is: visible to all.
In this exposition I’m showing you my journey for these past two years of investigating my artistic practice through the meeting of identity and aesthetics.
Due to my Iranian background, I have felt a need and curiosity to bring together my Iranian and European identities. This project is a dialogue between myself and music, encompassing sounds, arrangements, physical presence, materiality, technology, context, and politics.
By politics I mean; history, cultural appropriation, diversity, colonisation, beliefs, and the current needs of the western culture.
A project involving confrontations with habits, default parameters, and elements within digital audio workspaces, thereby incorporating scales.
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Meridiana: Lines Toward a Non-local Alchemy
(last edited: 2023)
author(s): Søren Kjærgaard
This exposition is in revision and its share status is: visible to all.
“Meridiana: Lines toward a non-local Alchemy” investigates the line as a sonic, textual and visual phenomenon.
Taking off from the four
literary voices: the Dutch philosopher Baruch de Spinoza (1632-1677), the French philosopher Gilles
Deleuze (1925-1995) and the Chinese Taoists Lü Yan (796 C.E.) and Sun Buer (1119–1182 C.E.),
a multitude of meanings are interwoven in a rich network of musical, textual and graphic lines.
The line as a basic concept is emphasized by the first word of the title, Meridiana (plural for meridian), which has terminological roots in both the East and the West. In Western terminology, it denotes one
geographical line connecting the North and South Pole.
In the East, originating from ancient China, meridians (经络) are energy pathways of the body (both human and non-human), which connect internal organs and a number of vital points in a neurological network.
The meeting between these two interpretations of a "meridian", between the geo-physical and sub-physical, between East and West, are the cornerstones of the project, which intention is to weave together the various
meanings and emphases of meridian, while at the same time unfolding an expanding an intersection of lines:
sonic lines, textual lines, graphic lines.
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TEXTURE AND FORM IN COMPOSITION FOR LARGER ENSEMBLE OF IMPROVISERS
(last edited: 2023)
author(s): Lotte Anker
connected to: Rhythmic Music Conservatory Copenhagen
This exposition is in progress and its share status is: visible to all.
The artistic research project takes Lotte Ankers Anker's ongoing practice as composer and musician/improviser as its starting point, investigating how the development of new composed material could unfold through dialogues between the composer and the musicians in a larger ensemble.
The research aims at focusing on issues related to balancing the pre-determinated with the uncertain, undecided.