Stockholm University of the Arts (SKH)
About this portal
Stockholm University of the Arts (SKH) was established in 2014 and have about 500 students and 250 employees. With our unique composition of education and artistic research, we want to create new opportunities for societal development and knowledge of tomorrow.
On 1 June 2016 SKH was authorised to award artistic third-cycle degrees in artistic practices. Exposition is an integrated part of artistic work at SKH. Each research project must present (stage, narrate, sing, choreograph and so on) its results in a way that is both rigorous and consistent. This requires research to be critically reviewed by peers in a combination of different exposition formats. By developing different formats in which peer review can be carried out, research within the area also addresses the challenges that arise when research is formulated and presented in forms that communicate through an artistically performed experience and thereby contribute to pushing the boundaries that existing forms of publication and dissemination of research set for the ambitions of artistic research.
Stockholm University of the Arts enables its researchers, PhD Candidates and staff to present their projects and findings on SKH’s RC portal in order to publish, archive, and internationally connect their artistic research.
SKH organizes private lessons and workshops aimed at our students, researchers, and employees. For bookings, please contact: heidi.paateremoller@uniarts.se.
contact person(s):
Heidi Möller 
url:
https://www.researchcatalogue.net/view/2225914/2551399
Recent Issues
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0. X-position
Stockholm University of the Arts publication series: X-Position, ISSN 2002-603X;3
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0. Published expositions
Published expositions by Stockholm University of the Arts.
Recent Activities
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THE ART OF THE WALK CYCLE
(2024)
author(s): Rania Ghazali
published in: Stockholm University of the Arts (SKH)
This exploration delves into the potential of emotional storytelling through walk cycles. Moving beyond traditional animation, it utilises the expressive power of modern tools to explore how line, shape, stroke weight, colour, texture, and sound can be manipulated to create abstract narratives that evoke deeper emotional experience for the viewer.
Drawing on a foundation of psychological principles, scientific research, and relevant articles, the walk cycles become abstract narratives, provoking introspection and emotional connection.
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Seanergy - Digital Underwater Art Gallery
(2024)
author(s): Michal Lovecky
published in: Stockholm University of the Arts (SKH)
Seanergy Underwater Art Gallery is a digital space that integrates ocean-themed art with technology. It focuses on the co-design of digital experiences with raw nature to foster a genuine connection with the marine environment. This research is my starting point for exploring strategies for incorporating nature into the design process of digital experiences, aiming to enhance engagement and promote environmental stewardship.
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Processen
(2024)
author(s): Johanna Schubert
published in: Stockholm University of the Arts (SKH)
Material, kaos och lust i mellanmedvetenheten
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Into the Known, a Pathway to Dramaturgy
(2024)
author(s): Picalogy
published in: Stockholm University of the Arts (SKH)
A breakdown of how and why dramaturgy became essential for my artistic work. I go through the development of my dramaturgical thinking starting from the year 2000 when digitalization of media was making its final breakthrough. In this study, I touch on the media field, performing arts, and an online storytelling tool designed to gather and share my practical knowledge of dramaturgy.
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Ind proj v1
(2024)
author(s): Max Landergård
published in: Stockholm University of the Arts (SKH)
In this text I’ll show my choice of research method, and how the method will be executed throughout my MA-education at Art of Impact.\ I have made interviews with different directors on their methods, and you will also see quotes from directors derived from other interviews. I will in the text below also talk a bit about the project as a whole and display my angles in documenting my work.*__
My individual project reflects on the relation and conflict between authenticity and compromise in the making of a fiction film.
In this text I will referr to
An interview I’ve conducted with Swedish director and sound technician Carolina Jinde.
An interview I’ve conducted with the Swedish director Ninja Thyberg in the fall of 2022
An interview made with the Swedish director Ruben Östlund in the podcast Värvet from early 2023
An interview with the Swedish director Kay Pollack
Quotes from “Into the woods” by John Yorke
Interviews with myself
Notes from lectures and visits abroad within the MA-class of Art of Impact
Notes from discussion on method in the class
The Feature Short Film
Documentation of the short film
Thoughts on the individual project: Exploration, Ideas and method
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Co-poiesis: redefining our relationship with the world through filmmaking
(2024)
author(s): Yasmin Henra van Dorp
published in: Stockholm University of the Arts (SKH)
The research question that motivates this study is: what insights can be drawn from collaborative filmmaking that can illuminate new pathways for interacting with the world around us?
Against the backdrop of contemporary societal and environmental divisions, this artistic research explores ways for redefining relationships, both human and nonhuman, through the lens of the philosophical framework of co-poiesis. Using a practice-led research methodology based on the collaborative process of the short documentary "The Spectacle" this study explores how collaborative practice and sensory engagement can serve as a reflective tool, illuminating our relational dynamics and perceptual interactions with each other and our environment.
