A LETTER FROM A MODERN ARTIST
(2012)
author(s): Christopher Hollins
published in: Research Catalogue
This letter describes the outline of an individual artists ideology. It presents an insight into the foundation of what drives an artist to create an art object from a personal point of view. Don't let that put you off the validity of the content, because the only way you can come anywhere near to understanding this sensation that an artist encounters is to get an artist to describe it. Studying objects that artist create will not help because all works of art transform the experience that is, at its manifestation, a glimpse of an inherent sensation hidden within our powers of perception. I believe this sensation is a vestige of a primal state of mind that we have evolved to suppress in all we see and do. Whether-or-not this sensation I described is a valid identification of the art experience is not for me to judge. All I can say is that, once the theory of evolution became known, the pioneers of modernism realised traditional practices had arisen to suppress raw animal intuition.
The theory of coincidences
(2012)
author(s): Alberto Magrin
published in: Research Catalogue
'Coincidences' determine an individual’s state of being, balanced and in harmony with the universe. In this sense, coincidences can be understood as nature’s purest law, and beyond nature they represent the perpetual bond between the relative and the absolute, as well as the birth of all forms of life and love. They’re a link between reality and imagination, between desire and fantasy, between the body and the spirit, between life and death. The importance of such moments should form the basis of all scientific, artistic, economic, political and religious laws, as they determine the existence and subsistence of human beings upon the Earth, as well as upon any other planet. As the laws indicated above, like their establishment, are inseparable from one another, this theory becomes the bond that could further the quest, the growth and the evolution of mankind.
The theory of coincidences
(2012)
author(s): Alberto Magrin
published in: Research Catalogue
The theory of coincidences
'Coincidences' determine an individual’s state of being, balanced and in harmony with the universe. In this sense, coincidences can be understood as nature’s purest law, and beyond nature they represent the perpetual bond between the relative and the absolute, as well as the birth of all forms of life and love. They’re a link between reality and imagination, between desire and fantasy, between the body and the spirit, between life and death. The importance of such moments should form the basis of all scientific, artistic, economic, political and religious laws, as they determine the existence and subsistence of human beings upon the Earth, as well as upon any other planet. As the laws indicated above, like their establishment, are inseparable from one another, this theory becomes the bond that could further the quest, the growth and the evolution of mankind.
Ik hou van jou
(2012)
author(s): Bas Kalle
published in: Research Catalogue
Just a small test to get to know the interface
The contemporary nuraghe
(2012)
author(s): Pasquale Petrucci
published in: Research Catalogue
The Contemporary nuraghe (megalitic monuments
contemporaries)
Digital Art
Pasquale Petrucci
My research was studying the cemeteries of cars scrapped. I discovered that the huge of car wrechs kept many secrets. All with hidden secrets an energy that rose into the sky, just as the megalithic dolmen prehistory of art. The cemeteries of cars or demolition today are the "CONTEMPORARY NURAGHE"
Pasquale Petrucci
QUANTUM CINEMA - a digital vision
(2012)
author(s): Renate Quehenberger
published in: Research Catalogue
QUANTUM CINEMA is an artistic research project group in an interdisciplinary constellation between experimental physics, discrete mathematics and geometry, analysis and scientific computing and anthropology of arts, supervised by media theory.