Research Catalogue

an international database for artistic research

• D.E.A.D.line (2025) author(s): s†ëf∆/\/ sch/\efer published in: Research Catalogue
  Experimental article for the Performance Philosophy journal Vol. 9 No. 2 (2024): With the Dead: Performance Philosophy, Dying, and Grief. Abstract: The last years the so-called phenomenon “glacier funerals” has appeared and spread globally with the most famous one happening in Iceland (Ok-glacier) in August 2019, followed by amongst others, funerals in Switzerland (Piezol glacier), Mexico (Ayoloco glacier) the United States (Clark glacier). It is one way to cope with ecological grief, an emotional response to the (future) impact of so-called anthropogenic climate change. The funerals differ in execution, but they remain rituals usually performed for humans and are “projected” on glacial beings. This works powerfully for creating awareness of glacier loss and climate change as such. The declared deaths of the glaciers are defined as the loss of the status as a glacier by scientists and are measurable. In this article, I am in for a search for a way to emerge rituals with mountains and glaciers as collaborators, based on a rather personal, partly autobiographic, artistic, and poetic approach, which leads to a better understanding of caring for a mountain and a glacier and bridges the gap between abstract measurable knowledge and a public in a way that it makes the impact of anthropogenic climate collapse sensible.
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  A Note on the Stigmata of Disbelief (2025) author(s): Tolga Theo Yalur published in: Research Catalogue
  The right to have or not to have a religion is a basic human right. Ensuring disbelievers have the same and equal rights with all the citizens of the world – with or without a particular religious inclination – would require globalized legal and cultural structures.
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  Cinécriture in Agnès Varda’s Filmosophy (2025) author(s): Tolga Theo Yalur published in: Research Catalogue
  Agnès Varda was more a photographer and invested in photographic storytelling in her fictions and non-fictions, such as the murals in Faces Places (Visages Villages, 2017). Experimental photographic narration and her artwork-like uses of the internet therefore is not a coincidence. In her internet accounts, she posed with her fans, while her Instagram account looks like an experimental work, an exhibition, open to the public and unfinished. In her first photograph, she is holding a necklace with a cat figure in her hand.
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  Bach and Beethoven: Law and Disharmony (2025) author(s): Tolga Theo Yalur published in: Research Catalogue
  A person listening to Ludwig van Beethoven might think he is in a Jean-Luc Godard movie. An opponent of laws and canons. Beethoven sought to break the convention and laws of harmony. Johann Sebastian Bach, in contrast, never attempted to break the traditions.
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  Thirty Artwork Iterations (Daily through February and into March, 2025) (2025) author(s): Mike Croft published in: Research Catalogue
  The project began as a commitment to 30/30, an initiative offered by Artquest, where subscribing artists were required to upload a new artwork to a 30/30 dedicated platform on a daily basis though the month of February and into March, 2025. The response formatted as this exposition is variations of text, image, and video animation, archived as still-image iterations mostly sized at 21 x 29.5cm and hyperlinked videos of up to two-minutes’ running time. The works’ content wavers between anecdotal and academic/theoretical. (Artquest issued non-obligatory collective prompts at the start of each day, which is in this case sometimes either used.) Any texts from each iteration have been copied to a companion page and corrected, rephrased or explained. The iterations play with oscillation between text and image, where the look of text under these circumstances becomes more noticeable while retaining much of its readability. Theoretical reading during the project had been Isabelle Stengers's book on the philosopher A. N. Whitehead, which is variously referenced in the iterations. At the same time, the author’s recent interest in a question of adaptability of the psychoanalyst Jacques Lacan's Logical Square to the question of the artistic research process is referenced. Given that the theories of these two authors do not in any obvious sense relate, their conflation in a sense holds their function in the iterations open to question, analogous to how one reflects on interests in and through one's visual practice. While the 30/30 structure required daily decision-making and action, any one iteration tended to be of consequence to the next, which afforded continuity of duration to the project.
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  Cognitive Architecture (2025) author(s): Tolga Theo Yalur published in: Research Catalogue
  Cognitive Architecture est un détour cognitif-psychanalytique autour des théories, hypothèses et des revendications cognitives d’économie mondiale, des idéologies, et des leurs conventions ou réfutations. Bien qu’il soit davantage rencontré dans les sciences humaines, la mode de structuration des événements, des happenings, est également un concept significatif dans les sciences cognitives. Les sciences cognitives conçoivent les fictions des realite faire des données du sens commun et postulats qui décident des problèmes dans leur conditionnement même. Sans doute apparaît-il d’emblée que les cadres dans lesquels les sciences humaines classent les phénomènes en sensations, perceptions, images, croyances, fonctions et travaillés logiques, jugements, etc., sont empruntés comme tels au travail de siècles de philosophie. Loin d’avoir été forgés pour une conception objective de la réalité humaine, ces cadres ne sont que les produits de la destruction abstraite où se tracent les vicissitudes d’un effort spécifique, qui pousse l’homme à chercher la confiance, la vérité, la conscience de soi et l’univers. Une confiance qui est transcendante dans sa position, et qui le reste donc dans la forme, même lorsque le philosophe en nie l'existence. Les tendances à une confiance absolue dans les explications naturalistes des phénomènes culturellement conditionnés exigent une un encadrer l'appropriation cognitive des concepts scientifiques d’économie mondiale. Dans les chapitres consécutives, ce livre critiques d'appropriations des concepts darwinienne dans les discours libérale détourne le darwinisme scientifique dans l’idée de s’appropriation moins avec ou aux technologies avancées que de les adapter aux valeurs idéologiques libérales croissantes qui elles- mêmes sont devenues plus autoritaires dans leurs règles non écrites d’entrepreneuriat, d’auto-évaluation et de développement individuel, particulièrement l’esprit humaine.
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