Research Catalogue

an international database for artistic research

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  6. Peer-reviewed expositions -2024 Expositions by staff, PhD candidates, or students in 2024 that have been formally peer-reviewed.
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  5. Ph.d. in Artistic Research - 2024 Artistic doctoral outcomes from candidates in the Ph.d.-Programme in Artistic Research in Film and Related Audio-Visual Arts, 2024
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  4. Expositions by staff – 2023 This issue is a collection of expositions developed by staff at The Norwegian Film School, The Game School and the TV School, INN, in 2023.
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  3. Ph.d. in Artistic Research - 2023 Artistic doctoral outcomes from candidates in the Ph.d.-Programme in Artistic Research in Film and Related Audio-Visual Arts, 2023
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  2. Expositions by staff and students - 2022 This issue is a collection of expositions developed by staff and master students at The Norwegian Film School, INN, in 2022.
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  1. Artistic Research Fellows - 2019 and earlier This issue is a collection of documented final results for candidates who graduated from The Norwegian Film School, INN, within the PhD-level Norwegian Artistic Research Fellowship Programme from the programme's inception in 2003 through 2019.

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  Refleksjonsnotat - Masterprosjekt (2023) author(s): Magnus Lysbakken published in: University of Inland Norway
  The project diary of my final thesis film at The Norwegian Film School
  open exposition comments (0)
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  Stedet renner gjennom meg (2023) author(s): Trond Lossius published in: University of Inland Norway
  Denne siden er et vedlegg til boka «jeg TENKTE ikke at jeg skulle helle LEIRE på GULVET for å lage en god LYD ...», og dokumenterer Trond Lossius sitt lydarbeid sommeren 2021. Dette var et av flere bidrag til Katrine Køster Holsts prosjekt «Leirens kollaps – derhen og derfra» som i tillegg til ovennevnte bokutgivelse også bestod av utstilling og seminar ved Senter for keramisk kunst, Ringebu Prestegård, gjennomført i perioden 2020-2021.
  open exposition comments (0)
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  Ways of expression: the impact of VFX technology on modern storytelling in film and interactive media production. (2023) author(s): Rafal Hanzl published in: University of Inland Norway
  The rapid development and adoption of digital technology expanded horizons of creativity and opened new artistic frontiers. The broad array of options can potentially have a negative effect, however, as artists can become overwhelmed by the means of expression enabled by new methods they could never have imagined were possible. Visual communication assists storytelling and should be used precisely to emphasize the desired features of a story. In filmmaking, visual effects (VFX) should serve as a creative instrument to strengthen the story and artistic vision and communicate the desired idea to the audience. Using VFX in planning and developing the implementation of artistic ideas can play a key role in contemporary art as well. This challenge of visual communication is all the more noticeable in an emerging medium of virtual reality. I argue that VFX tools facilitates solving artistic problems in the majority of creative activities. My project investigates the creative and artistic potential of the tools of digital manipulation. The research focuses on two key artistic creations: a feature documentary “In touch” and a virtual reality installation for the Lodz Philharmonic “The Road to Excellence”. Through artistic experiments performed in these two projects, I develop innovative creative methods for a new creative profession in the film and interactive media industry: a digital visual designer. My aim was to explore how this new artistic collaborator contributes to the visual universe of the artistic creation.
  open exposition comments (0)