falling like a monster
(2021)
author(s): Susanna Hast, Maryam Bagheri Nesami
published in: RUUKKU - Studies in Artistic Research
Falling Like a Monster is a collaborative and creative practice of writing and embodying inter-textuality and multi-modality in order to experiment a non-representational archive known as a two-sided article. This heterogenous crafted piece of writing resists the hegemony of academic and artistic narratives and suggests a transformative knowledge and an alternative practice of political freedom. In our writing, crafting, recording, and failing, we are playing with exhaustion, silence and stillness as monstrous counter-strategies.
Black Lungs
(2019)
author(s): Sepideh Karami
published in: VIS - Nordic Journal for Artistic Research
The ultimate act of taking risk in life lays in the proximity to death. When a risk being taken is prone to fail, failure can potentially become the failure to live. These risky moments involve decisions, dreams, imaginings that motivate one to take action. The motivation is strong enough to push one to a fragile border between death and life.
In this exposition, I situate the discussion of risk in coal mines, investigating the work of coal miners as a craft through which they develop subversive modes of labour. The story in this exposition starts millions of years ago and gives a fictional geological history of Earth, where the formation of coal plays an important role in the planet’s evolution; coal becomes the political summary of Earth, where various moments of risk lead us down into a coal mine. Through a vertical structure poised on the edge of death and life, and by means of writing and drawing, risk is experimented with using concepts such as imprecision, the materiality of darkness, and the fragility of working with such materiality.
“On whose side are you?”: Artist-researcher positionality in a global public health challenge
(2019)
author(s): Kaisu Koski
published in: VIS - Nordic Journal for Artistic Research
This exposition discusses risks that emerge from the artistic researcher’s fluid position within artistic research. The research entails the artistic researcher interviewing vaccine-critical parents and a vaccine scientist about their opposing standpoints toward immunization and vaccination, while remaining ambivalent and sympathetic toward both views. The exposition uses concepts such as positionality, insider-outsider, and sameness to unpack the various risks arising from the stimulation and staging of conflicting voices about vaccines. These risks include upset participants due to unmet expectations raised partially by the artistic researcher’s understanding attitude, and the pervasiveness of the “voice” of the documentary film being created throughout the artist-researcher’s interactions with the participants.
what if? radical awareness
(last edited: 2019)
author(s): Elisabeth Schäfer
This exposition is in progress and its share status is: visible to all.
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WHAT IF? Perspektivenwechsel in der Kulturvermittlung
4. Internationales
Symposium
Kulturvermittlung
Veranstaltungsort
Festspielhaus St. Pölten
Kulturbezirk 2
A-3100 St. Pölten