Score: Mechanical Asynchronicity – audio album
(2024)
author(s): Martin Scheuregger, Danica Maier
published in: Research Catalogue
This exposition is the online, open-access audio album of 'Score: Mechanical Asynchronicity' by Danica Maier and Martin Scheuregger. The album allows you to play full ensemble versions of the project's two pieces, and also mix your own versions of each piece by combining and balancing the individual instruments. It accompanies the publication of a related 40-page book on the project from Beam Editions.
What colour is Signature?
(2019)
author(s): etherlinna
published in: University of the Arts Helsinki
What Colour is Signature? acts as a platform with a score to play and experiment with different compositional structures. The platform aims to create a non-intensive means to enjoy the possible mental representations you may experience when listening to sounds that negotiate the amount of noise and information.
Fluxus and Avant Garde art in 1960s often explored the relation between noise and silence and how it is communicated within a space (during the so called ‘happenings’). Noise (or the source of randomness) shifts the listener’s perception to the non-sense that art often produces, and brings into play the attempt of the mind to focus on the mental representations it is creating. Therefore, the non-sense (noise and silence) in itself acts as a measurement of information.
Momentum: experiential development in sound composition
(2019)
author(s): Nat Grant
published in: Research Catalogue
Momentum is an online, cumulative sound art and composition project, created and curated by Nat Grant over the course of 2012-19.
The interdisciplinary conceptual composition process
(last edited: 2021)
author(s): Linde Tillmanns
This exposition is in progress and its share status is: visible to all.
How does one translate concepts like Doughnut Economics into music and video? How can a performance create a safe and non/judgmental space for an open and constructive dialogue about big and difficult topics?
This is my journey on attempting to create such a performance; with a physical band, electronics and video. I am composing on different levels, collaborating with a video artist and producer, as well as curating the process.
SOLO and PROZESSION
(last edited: 2016)
author(s): Karin DE FLEYT
This exposition is in progress and its share status is: visible to all.
Published on 31 Aug 2016
This exposition represents some of my research project outcomes showcasing different performances and lecture/recitals on Solo & Prozession by Karlheinz Stockhausen. Presentations from the guest speakers at the Stockhausen Symposium Day I organised on 16 September 2016 are added to give an overview of a nowadays context to these compositions from the sixties.