Adding to the Narrative: Intersectional Feminist Critical Curatorial Practices in Classical Vocal Music Performance
(2022)
author(s): Shanice Skinner
published in: KC Research Portal
Diversity and inclusion within Western art music have become topics of elevated importance in in recent discussions. To create enduring results regarding these matters, there needs to be a commitment to in-depth study of practices that will produce visible change. This is one of the goals of my research, in which I tackle issues of representation by focusing on Black women composers and their absence from the canon as overlooked and marginalized artists. It is well known that women have been denied many opportunities throughout history; as composers, many experiences crucial to professionalism were not always available to women, including music education in composition, the publication and circulation of their works, not being hired as conductors, or receiving reviews from influential critics. These opportunities and resources dwindled further if a woman was also a person of colour. Thus, in order to ensure their inclusion within the canon, these underrepresented identities demand and require unique recognition.
I have examined the issue of neglected women of colour composers in classical music from an interdisciplinary standpoint, utilizing the methodologies of history and experimentation to form an “intersectional feminist critical curation” framework. This framework implements knowledge from intersectional feminist theory and music curation practices in order to answer following questions: “What is the impact on new audiences of diverse backgrounds experiencing classical music through an intersectional feminist curatorial framework?”, "Can classical music be an effective device for messages of social and political change?", and “What is the impact on myself as a classical vocalist and a Black woman to implement an intersectional feminist curatorial framework within my musical study and performance?”. The overall goal of this research was to discover an effective way forward to achieving diversity in classical music for underrepresented groups. Drawing from this study, I have created a digital performance project entitled “The Narrativity Sessions,” which functioned as an experiment utilizing this knowledge of intersectional feminist theory and praxis fused with select critical curation strategies applied to my own artistic practice as a classical singer. The outcome was a novel artistic practice that can contribute to creating innovative and artistically fulfilling performances while simultaneously advancing diversity and inclusion in the classical music sphere for audiences, performers, and composers alike.
Untitled*
(last edited: 2024)
author(s): Erika Matsunami
This exposition is in progress and its share status is: visible to all.
Untitled* is practise-based artistic research, which is the exploration of geometry in drawing, (music, visual arts) notation and sound composition (virtuality) and spatial installation and performance (physicality).
Its spatiality will explore in the context of visual arts and architecture in terms of the cross-disciplinary between Music and visual arts, that is through an intervention between two disciplines of visual arts and music towards architecture (design) methodically.
Artistic research Untitled* is a platform between academics and art academics, and between art academics and society.
A/R/Tography in Theory and Practice in Higher Education: 1) Interview and Exposition. 2) Analyse my A/R/Tographic process.
(last edited: 2024)
author(s): Guro Kristin Gjøsdal
This exposition is in progress and its share status is: visible to all.
Guro Kristin Gjøsdal, A/R/Tography in Theory and Practice in Higher Education (Stockholms konstnärliga högskola, Sweden, autumn 2023).
The exposition ripples around an interview with Christine Yanco Helland (OsloMet), which is exploring and articulating how she carry out her entangled practice as artist/researcher/teacher. The presentation uses relevant literature to think with.
Christine Yangco Helland is an educated drama teacher, director, and dramaturg, with a master’s degree in fine arts with specialisation in theatre from the University of Agder, Norway. Helland has a burning commitment to diversity and inclusion. In addition to working with professional productions, Helland is motivated by involving children and young people, non-professional, and marginalised groups.
The exhibition and the interview uses rhizomatic thinking. And so does my own work and production within the methodology and thematics. This task was completed in autumn 2023.
Urban Hub
(last edited: 2024)
author(s): Erika Matsunami
This exposition is in progress and its share status is: visible to all.
Artistic research Urban Hub is focused on materiality and its semiotics and the construct of syntax from cognitive linguistics. The research fields are architecture, visual arts and music.
Research methods are thereby interventional between different disciplines and work in progress.
In doing so, artistic research Urban Hub in cross-disciplinary and transdisciplinary between Architecture and Visual arts+Music aims for an innovative creative approach that emerges from the real space.
The research objective is on the topic of "well-being" as a common in design, which addresses Wittgenstein's theoretical exploring ontologically and epistemologically. The research is methodologically interdisciplinary in connection with the perspective of cognitive neuroscience (on the body) transdisciplinary.
The artistic research Urban Hub addresses environmental issues and human coexistence from the aspect of communication in the environment such as in urban space from the aspect of critical theory.
It is an exploration of Barriere-free (for the possibility of communication) spatial aesthetic in urban space "Urban choreography (gesture)" practically, which addresses artistic intervention in public space. Thereby, the artistic intervention in the context of this artistic research Urban Hub aims for the procedure of the natural way of integration.
Exploring Japanese (Inspired) Music
(last edited: 2023)
author(s): Martine Mussies
This exposition is in progress and its share status is: visible to all.
Objective:
This proposed exposition aims to critically examine the pitfalls of Orientalism and Occidentalism within the context of artistic research in music. By delving into the complexities of cultural representation and misrepresentation, it seeks to challenge preconceived notions and foster a more nuanced understanding of cross-cultural musical encounters.
Methodology:
Comparative Analysis: Through an in-depth comparative analysis, I will investigate the ways in which Orientalism and Occidentalism manifest in music performance practices. Drawing on diverse musical traditions, including Japanese influences, I will explore the power dynamics, stereotypes, and misappropriations that can arise when engaging with cultural musical expressions.
Sonic Experimentation:
Building on my expertise as a professional musician, I will create original compositions and sonic installations inspired by the concepts of wabi sabi, mono no aware, and ma. These explorations will serve as sonic reflections on the intricate relationship between artistic research, cultural heritage, and personal interpretation, allowing for a deeper engagement with the complexities of musical representation.
Critical Reflection:
Throughout the exposition, I will engage in critical reflection on my own artistic practice, acknowledging and addressing the potential biases, blind spots, and unintended consequences that can arise when navigating the cultural landscape of music. By scrutinizing my own work and interrogating the underlying assumptions, I aim to foster a greater awareness of the ethical and social implications inherent in artistic research.
Expected Contributions:
Providing insights into the manifestations of Orientalism and Occidentalism within music performance practices and their impact on cultural representation.
Illuminating the potential pitfalls of cultural appropriation and misinterpretation in artistic research, while proposing alternative approaches that embrace collaboration and respectful dialogue.
Fostering critical dialogue within the field, encouraging fellow artists and researchers to engage in self-reflection and thoughtful engagement with cultural differences.
Audience Engagement:
To ensure a broad and inclusive audience engagement, I plan to organize interactive workshops and performances, inviting participants to immerse themselves in the sounds and stories that emerge from my artistic research. By actively involving the audience, I aim to facilitate meaningful conversations about cultural exchange, representation, and the potential transformative power of music.
Anticipated Impact:
This exposition seeks to challenge established paradigms, disrupt Orientalist and Occidentalist frameworks, and promote a more equitable and culturally sensitive approach to artistic research in music. By critically examining the pitfalls of cultural misrepresentation, it aims to contribute to a more inclusive and respectful musical landscape that celebrates diversity and fosters cross-cultural understanding.
Analyse en reflectie
(last edited: 2023)
author(s): Kesha Felipa
This exposition is in progress and its share status is: visible to all.
Een cartografie over de spanningsveld in mbo mode en beeldende vorming die tijdens mijn afstudeerstage van mijn docentenopleiding ervaarde.
Waar aan de ene kant de onderwijsinstelling vol inzet op nieuwe en innovatieve (fysieke) leeromgevingen. En aan de andere kant studenten behoefte hebben aan de menselijke maat bij docenten en meer aandacht willen voor creatieve vakken om zich te ontplooien, te experimenteren en vorm te geven aan hun eigen verhaal.
Worlds Connected (Bachelor's project)
(last edited: 2022)
author(s): Kärt Tambet
This exposition is in progress and its share status is: visible to all.
Worlds Connected is Kärt Tambet’s bachelor project and thesis that weaves together aspects of her own roots, experiences, and ideologies of life. The work is inspired by reflecting on the different ways of understanding and interpreting the world, and the ways in which our own world may connect with other surrounding worlds through music making and even in everyday life.