the archive that i imagine to unlearn the archive
(last edited: 2024)
author(s): Melina Scheuermann
This exposition is in progress and its share status is: visible to all.
This exhibition emerged from my artistic research residency Performing/Archiving ‘Object Lesson’ which I realized in January and February of 2024 in Porto. I departed from the proposal to take up archival documents of my study within the history of education as performative scores and triggers for artistic engagement. In particular, I studied two picture book series of the pedagogical object lesson method (Pt. lições de coisas, Germ. Anschauungsunterricht) that circulated across Europe in the late 19th century and early 20th century. The picture books are traversed by several intersecting discriminations based, amongst others, on gender, race, sex and class.
Through the artistic engagement I reflected on the epistemological, political and ethical implications of archiving and the writing of history and developed an artistic-archival methodology that includes performative, visual, visual-material and textual modes of research. This methodology aims to promote situated, embodied and affective knowledges and is inscribed into feminist and decolonial struggles.
The archive that i imagine to unlearn the archive is an exhibition of the artistic interventions produced as much as the structure of an archive. The exhibition/archive serves as a platform for upcoming workshops that I will promote to practice the artistic-archival methodology that I developed in a collective setting.
I borrow the concept of unlearning from decolonial and postcolonial theory where it is discussed as a practice that challenges the value-based, hegemonic apparatus of knowledge production from the inside. There is a slight irony, seemingly a paradox in name of this archive: The archive that I imagine to unlearn the archive. Unlearning something while repeating, practicing, constructing it? The idea is not repetition, unless it is always considered repetition in variance and in motion, never settled, never fixed. Its name speaks to my attempt to unlearn archiving and archival research while being implied and meshed within.
Visualizing the Betweens: Drawing Intersectional Discrimination Dialogues with Teenagers
(last edited: 2024)
author(s): letbal
This exposition is in progress and its share status is: visible to all.
This article shows how drawing can be used to discuss intersectional discrimination in a multicultural middle school. It reflects on the rhizomatic entanglements of conducting research through arts methodologies and applying design processes to develop an anti-racist art curriculum for middle school. To do this, I used a/r/tography to navigate a research diagram in which drawings from my students are used as valuable data to reflect and analyze the curriculum, my praxis, and multiple roles. I praised the importance of using drawing with seventh, eighth, ninth, and tenth-grade students as a visual thinking process in multicultural school environments to discuss and address all forms of discrimination. Applying principles of a/rt/ography, I documented their process journals while weaving them with the research diagram and theory. I also reflect on the international-mindedness mission statement from the International Baccalaureate in connection to the neo-liberalization and misconception of what global education is and how it is being practiced. I suggest that drawing as a performative research tool can produce non-verbal expressions leading to other ways of knowing relevant information for the artographer and students. This knowledge production is relevant to students’ live experiences regarding the intersections between social and political issues. However, more pedagogical approaches have to be developed to continue reinforcing the connections between social issues and climate change.
The conflict of the faculties : perspectives on artistic research and academia
(last edited: 2023)
author(s): Henk Borgdorff
connected to: Academy of Creative and Performing Arts
This exposition is in progress and its share status is: visible to all.
The thesis, written by Henk Borgdorff, is about artistic research – what it is, or what it could be. And it is about the place that artistic research could have in academia, within the whole of academic research. It is also about the ways we speak about such issues, and about how the things we say (in this study and elsewhere) cause the practices involved to manifest themselves in specific ways, while also setting them into motion. In this sense, the thesis not only explores the phenomenon of artistic research in relation to academia, but it also engages with that relationship. This performative dimension of the thesis is interwoven with its constative and interpretive dimensions. If the thesis succeeds in its aims, it will not only advance knowledge and understanding of artistic research, but it will further the development of this emerging field.