Warping Protest: Decentralizing Art Activism Using Protest Textiles
(last edited: 2024)
author(s): Britta Fluevog
This exposition is in progress and its share status is: visible to all.
My practice-based arts research proposes to create a toolkit to decentralize art activism using hand-crafted textiles from an intersectional, feminist, decolonial and anti-capitalist framework.
When I say that I want to decentralize art activism, I aim to increase access in terms of location, timing and risk, so that people who do not live in major metropolises, centres of power, who work when most protests happen, or who for various reasons are not able to risk possible arrest that normal protests may present, can still engage in artistic protest. My praxis will embark on a series of art activist actions that utilize various methods of decentralization, creating a handbook that displays and analyses these methods. The ways in which textiles are particularly suited to decentralize art activism, through subterfuge, slow time, and haptic relationship will be explored within the praxis.
Answering the seemingly peripheral question of whether or not art activism is compatible within a gallery space imperative for the main theme of my research, which is decentralization of art activism. If art activism harmoniously exists within a gallery exhibition, then the easiest way to decentralize it is to send the art activism to exhibit elsewhere. My initial findings within the research suggest that act activism mostly cannot exist within sanctioned art exhibitions and therefore exhibitions are not an effective way to decentralize art activism.
My toolkit is inspired by practical how-to-guides of art activism (Boyd and Mitchell, 2012; Duncombe and Lambert, 2021; Aylwyn Walsh et al., 2022) and through textile practises such as Tanya Aguiñiga (B. 1978-), the Craftivism Collective (2009-), Aram Han Sifuentes (B. 1986-), and Sandra Suubi (B. 1990-). The critique on capitalism’s infiltration into the artworld and art activisms roll because of this that is reflected in Alana Jelinek’s ‘Lifelike art’(2013), Gregory Sholette’s ‘bare art’(Ch(Charnley, 2017)); and Brian Holmes’ ‘Liar’s poker’ (Holmes, 2010) and it helps shape my art activism practise.
Performing Citizenship: Gathering (in the) Movement. The Choreographic Format of Circle Dancing and the Round Dance as a Matrix of Collective Action in the Context of Political Assemblies, Protests and Occupations.
(last edited: 2022)
author(s): Liz Rech
This exposition is in progress and its share status is: visible to all.
In the activist context of ‘movement’, the concept of movement with regard to the ‘moving body’ always involves three aspects: The political movement itself; the real physical, choreographic movement; as well as associated personal movement and connection to shared values. These three dimensions are aspects of a bodily practice, in which the collected bodies are present and vulnerable in assemblies like demonstrations or other acts of resistance in public space. These practices mark the field of study in which the political occurs on and in the ‘between-ness’ of the bodies. The article considers choreographic formats that appear in specific protest contexts: What insights can be discovered with regard to its generation of political dimensions? How can the role of the body and its ‘Response / Ability’ be defined within the context of political ethics? What practices of movement would respond to its necessities?
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This Chapter was published In: Hildebrandt, P., Evert, K., Peters, S., Schaub, M., Wildner, K., Ziemer, G. (Hrsg.): Performing Citizenship – Bodies, Agencies, Limitations. London 2019 (Palgrave). ISBN 978-3-319-97502-3
This open access book discusses how citizenship is performed today, mostly through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory. It is a compendium that includes insights from artistic and activist experimentation. Each chapter investigates a different aspect of citizenship, such as identity and belonging, rights and responsibilities, bodies and materials, agencies and spaces, and limitations and interventions. It rewrites and rethinks the many-layered concept of citizenship by emphasising the performative tensions produced by various uses, occupations, interpretations and framings.
→ Open Acess: https://link.springer.com/book/10.1007%2F978-3-319-97502-3
Diary of a Suffragette
(last edited: 2022)
author(s): Marijn Brinksma
This exposition is in progress and its share status is: visible to all.
This fictional diary is written by a fictional person and consists of factual information. The writings are set up in a chronological timeline. Our goal is to provide insight and information about the steps suffragettes had to take to fight for the right to vote.