"N.N-Zwischenliegend" – non-calculable time, space and body
(last edited: 2024)
author(s): Erika Matsunami
This exposition is in progress and its share status is: visible to all.
Non-calculable time, space and body is the second part of the artistic research “N.N-Zwischenliegend.” This part consists of three main questions: How to create a documentary that is not binary proof? Is it possible to understand artistic documentation (a work of art) as knowledge? Is it possible to conceive artistic documentation (a work of art)? These questions refer to the subject of Arti-fact, and to part three “N.N-Zwischenliegend” of my artistic research. In doing so, I attempt to investigate the subject of aesthetic contemplation, which frequently relates to cultural evolution. For this, I require self-reflection on whether a work of art could be documentation on the topics of space, time and body.
The third part of this artistic research is on spatial installation.
The three important elements in this part are the photographs which I took of Berlin, the sounds which I recorded in the city of Berlin, and the interviews with Berliners. – an invisible city and the recent notion of a 'city' towards urbanism in Berlin
Ninguém entra duas vezes no mesmo rio.
(last edited: 2024)
author(s): rodrigo queirós
This exposition is in progress and its share status is: visible to all.
“Misfortune is the echo of hope”
By looking attentively we can renew our world constantly, everything that surrounds, even the most banal is a portrait of hope. In this Exposition I choose to focus on what is directly around me, in a nearly autobiographical form, at a same time forming a kind of portrait of a city and a memory of a disappearance. Paradoxically, the disasters of what is no longer with us, that has been lost, is also what we should maintain in "echo" as an act of tenderness. In an exercise of simplicity that arises from the question "what is the shipwrecked person left with?" of Hans Blumemberg.
MEMORY AND FRISSON THROUGH THE PERSPECTIVE OF THE SOUND
(last edited: 2023)
author(s): Tilen Lebar
archived in: KC Research Portal
ABSTRACT:
The author presents the results of the exploration of musical form through the perspective of the mnemonic technique of 'chunking.' He introduces to us his original work that was questioning and investigating different types of memory representations and limited capacities of a human brain. He combines the musical compositional process and defines the time relations between static and sound in motion. Later on, the author presents to us the overlapping characteristics of the sound phenomena of Autonomous Sensory Meridian Response (ASMR) and Frisson. He defines different bodily processes that are consequentially related to both sound phenomena. Moreover, the author presents the second original work that tried to reproduce the sound phenomena in a 'classic' concert form. Overall, he presents results of an online and a verbal survey that investigates the reactionary thoughts of the collective memories and experiences induced by the audience. Later on, he compares the feedback obtained with the existing researches that were dealing with the topic of memory and the psychophysiological responses of the human body.