Karin DE FLEYT
music, temporality, time and space, Stockhausen, contemporary music
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
Paul Craenen
artistic research, contemporary music, Aesthetics and Theory of Arts, Embodied knowledge, Intermedia, education
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Barbara Graf
Body based art, artistic research, phenomenlogy, lived experiences, drawing, Textiles
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Jean Penny
flute and electronics, electroacoustic music, performance, composition, musicology, artistic research
Sabrin Hasbun
creative writing, performative writing, History, Palestine, autofiction, autoethnography
Stefan Paulus
Subjektwissenschaft, non-photography, glatte und gekerbte Räume
Luiz Zanotello
transmedia, translation, new materialisms, poetics, language, distance, affect, ecology, time, auto-ethnography, post-colonial, site-specificity
Jordan Rowe
museums, walking, identity, nationalism, urban space, rural futurism, blackness
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism