Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Doris Ingrisch 
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Nicolas Pierre Alexandre (NPA) Roudier 
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Vidmina Stasiulyte 
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Marisa Godoy 
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Pavlos Kountouriotis 
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Hannah Clarkson 
narrativity, care, shelter, artistic research, Sculpture, poetry, empathy, Medical Humanities
Ieva Baltrenaite 
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Joana Braga 
urban space, Spaces in between, space and body, time and space, performance; landscape; video; sound; installation
Linn Henriksson Strååt 
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
Izzy Monteiro Bühlmeier 
fashion design, creativity, Social science, political impact, Political Studies, socio-environmental research, Cultural Institutions, culture, textile making, texture, Language
Lars Kristian Røssell Takeuchi Kynde 
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception
Filip Novák 
embodiment, Embodied reflection, dance, theatre, Applied Theatre, psychosomatics, pedagogy