Emma WIlliams
historically informed performance, 19th century, violin, voice
ARNAU MILLÀ BENSENY
sound art, sound to symbol, improvisation, multidisciplinary, Language, code, dance, moviment, soundscape, public space, Site-specific
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Richard Mills
tipping point, abstraction, representation, blocking, viewer engagement