Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Christoph Weber
Technosphere, Socio-ecological Transformation, degrowth, climate crisis, New Materialism, Agential realism, Concrete, posthumanism, social metabolism, deep time, intra-action, Sculpture, Photography
Joshua Hale
creativity, arts-based research, interdisciplinarity, design, visual art, hybridity, art and environment, human centered design
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship, improvisation, performer-composer collaboration
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
Berit Seidel
surveillance, collectivity, Decolonial methods, Storytelling, Everyday Objects
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory