Kent G R Olofsson
Composition, Dramaturgy, Composed theatre, contemporary theatre, performing arts, electroacoustic music, Sound Spatialisation, scenography
Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Ieva Baltrenaite
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Nele Möller
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Maria Jonsson
archival practice, archival art practice, art theory, Film studies, Art history, photographic practice, forest, natural science
Haris Adhikari
poetic inquiry, artistic research, artistic process, threshold concepts, spatiality, postcoloniality, creative pedagogies, qualitative research methods, Advaita as experience, post-qualitative inquiry
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology