Mick Wilson
necropolitics / political community with the dead, foodways and political imaginaries, rhetorical form & method discourse in knowledge conflict
Matthew Noone
Performance studies, Music, ethnomusicology, arts-based research, phenomenlogy
Arnas Anskaitis
artistic research, diagram, experiment, publication, writing
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Sergej Tchirkov
artistic research, contemporary music, collaborative spaces, Shared Space
Jordan Rowe
museums, walking, identity, nationalism, urban space, rural futurism, blackness
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history