Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Bilge Merve Aktaş
Design research, Craft, felt making, materiality, material agency, practice-led research, entanglements, Textiles
Arja Anneli Kastinen
19th century Karelian kantele improvisation, creativity process, Music Education, acoustics, spectrum analysis
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship, improvisation, performer-composer collaboration
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
rosinda casais
relational practice, language-based practice, material remains, artistic research, making as inquiry
Jehanne Paternostre
Contemporary art, drawing, History, Archeology, memory, monument, trace, restoration, multidisciplinary, in situ experience