Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Marko Uzunovski
contemporary music, electroacoustic music, electronic music, spatialisation, sound production, sound projection, Spatial Audio, spatial music, surround
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
Renee Charron
drawing, architecture, performance, process philosophy
Olav Friisberg Larssen
Sound Design, music, PHOTOGRAPHY, FILM, Film-making, film score, film sound, design, wordpress, html, css, archiving, family archives, innovation, startup, food wasting, food apps
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space