Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Saskia de Wildt
arts-based research, ethnography, visual ethnography, environmental humanities, Politics of knowledge, critical discourse analysis, Global development studies, sustainability
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Ilmari Kortelainen
somatiikka, mediaatio, zen-buddhalsuus, affekti, muuntuneet tietoisuudentilat, tila, aika
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history
Isabel Frey
ethnomusicology, Jewish Music, folk music, nationalism, yiddish, voice studies, sound studies, gender, minorities, diaspora, activism