Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
andy lock
Silence, performance, absence, site-writing, institutional silence, the body, situated writing, familial silence, artistic writing, embodied, site, radio
Diogo Alvim
Music, architecture, moving image, sound art
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Nathan Riki Thomson
artistic research, artistic identity, interculturality, intercultural dialogue, transcultural, transdisciplinary collaboration, resonance
Katja Münker
artistic research, Choreography, performance, somatics, walking art, Feldenkrais method, environmental artistic research
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
W. Walker
Art, performance, public art, deconstruction, dance, acting, performance; re-enactment; landspace; site; environment;, masquerade, african cosmologies, Caribbean, carnival
Thale Johannessen
textile, textile design, textile making, fashion, Green, crochet, beading, earth
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism