Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Åsa Unander-Scharin
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Arno Boehler
Philosophy as Arts-Based Research, continental philosophy, Indian Philosophy, Deleuze, Nietzsche, Spinoza, Immanence
Rikki Wolpowitz
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Ryan Mason
choreography and performance, Choreographic Research, choreographic thinking
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater