Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Sepideh Karami
architecture, dissident, Writing as artistic research, critical writing, minor architecture
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Matthew Galea
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Margarida Dias
arts education, identity, decolonial, antidiscriminatory, feminism
Joana Braga
urban space, Spaces in between, space and body, time and space, performance; landscape; video; sound; installation
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Sara Hulkkonen
Craft, glass, practice-led research, New Materialism, sociomateriality
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios