Anders Eggen
publishing, research communication, open science
Doris Ingrisch
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Danica Maier
Fine Arts, artistic research, textiles, drawing, music, installation, labour, repetition
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Ryan Mason
choreography and performance, Choreographic Research, choreographic thinking
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Anna Rogneby
PHOTOGRAPHY, VIDEO, media, Sociology, Hyperreality, everyday aesthetics, everyday, stream-of-consciousness, philosophy