Katrina Brown
choreography, drawing, documentation, contemporary arts, hybrid practice, horizontality, artistic research
Eleni-Ira Panourgia
Sculpture, sound, sound art, materials, Materials of sound, practice-based research, Practice-as-research, Performance art, Installation Art, interactive art, interdisciplinarity
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Anne Marthe Dyvi
Media Arts, Video art, moving images, Colour, time based media, time, art, technology, History, politics, poetry
Emma WIlliams
historically informed performance, 19th century, violin, voice
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Thalia Hoffman
Video art, video performance, performance, politics, political aesthetics, politics of memory, phenomenology, embodiment, Sense
Sergio Montero Bravo
artistic research, art, design, architecture, ecologies, rural encounters, education
Margarida Dias
arts education, identity, decolonial, antidiscriminatory, feminism
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Lucia Koevoets
haptic, memory, Present Moment, Fine Arts, art education