Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Luisa Greenfield
analog film, performance; landscape; video; sound; installation, practice-based research, artistic research, Essay Film
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
Jakub Pesek
music production, Accessibility, art of sound, haptic
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Ettore Cauvin
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Anthea Caddy
sound, energies, atmospheres, installation art, site responsive practices