Researchers
Christopher A. Williams 
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Jonathan Reus 
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Hermans Carolien 
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Linnea Bågander 
fashion practice research, fashion design, motion design, Motion capturing, materiality, materialization, New Materialism, costume design, methods
Pinzón Lizarazo Oscar Daniel 
Paper engeneering, Fanzine, Comic, ecology, circular economy, artistic research, art education, artist book, non-conventional supports, editing, migration, movement, Transposition, Free culture, Storytelling, Transduction, Translation, Transdiciplinary Colaboration, Transmediality, Graphic storytelling
Tereza Reichová 
roleplay, safe environment, psychosomatics, embodied learning, gestalt, pedagogical research, embodiment, constellations, documentary film, comic
