Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Assi Karttunen
musical gesture, embodiment, historically informed performance, Performance studies, phenomenology
Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Rhiannon Jones
artistic research, dialogue, socially engaged art, conversations, practice as research, performance, Visual and Performing Arts
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality