Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Imani Rameses
Neuroaesthetics, phenomenlogy, emotional communication, Choreographic Research, consciousness, interdisciplinarity, philosophy, neuroscience, psychogeography
Eszter Mag
Participatory Art, puppetry, theatre, intuition
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Majid Sarnayzadeh
Performance studies, cognitive science, cultural anthropology, Theater studies, social change, Social Studies