Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Anders Eggen
publishing, research communication, open science
Karen Schiff
Agnes Martin, Pablo Picasso (early career), artistic research, word and image, studio practice
Christoph Weber
Technosphere, Socio-ecological Transformation, degrowth, climate crisis, New Materialism, Agential realism, Concrete, posthumanism, social metabolism, deep time, intra-action, Sculpture, Photography
DÁNIEL PÉTER BIRÓ
composition, music aesthetics, Music analysis, Musical Cultures, Music philosophy, computer music, musicology, Judaic Studies, Spinoza, philosophy
Carlotta Bonura
Architecture, stage design, art, exhibition, writing, Vocal performance, music, Storytelling
Theodore Teichman
embodiment, environmental art, environmental sound, environmental stewardship, environmental artistic research, environmental humanities, environmental ethics, ecology, eco-art, ecocriticism, ecopsychology, artistic research, landscape, landscape art, land-art, Landscape.Body, sound art, soundwalk, soundscape composition, soundscape, psychogeography, psychoacoustics, phenomenology, materiality, vibrant matter, material perception, material ontology, body extended, performance, site, Site-specific, place, Place and time, placemaking, time, time based media, time ecology, Film-making, photographic practice
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Sophia Efstathiou
Science and Technology Studies, Science and Art collaborations, animal studies, food studies, sustainability, improvisation, sound art, philosophy as art, philosophy
Dan Lageryd
art, moving image, audio, soundscape, architecture, traffic, Noise, future, nostalgia
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability