Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Louise Walleneit 
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
Marc Johnson 
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Nele Möller 
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Stijn Brinkman 
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Petra van Aken 
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
David Bello Arcos 
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
Saniya Jafri 
interaction design, food studies, food design, colonialism, memory practice, archive as creative practice, practice-based research
