Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Fabian Weiss
PHOTOGRAPHY, VIDEO, Body, embodiment, optimal performance
Monica Clare van der Haagen-Wulff
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Sebastian Ruiz Bartilson
insurrectionary movements, Pornography, homoart, hiv, Not-knowing, swedish indocrination, ritualisation, psicomagic, human potential, meditation, somatics, somatic approaches, choreography and performance, choreographic thinking, antiethics, techno, cuerpos disruptivos, disidencias sexuales
Moch Hasrul Indrabakti
pedagogy, Pedagogy of change, Pedagogical materials; educational material; play, Media Arts, methodology, methods, collective research in arts, design=art=research, research proposal, Recycling materials, plastic, Contemporary art, teaching artist, technology, teaching method
Joshua Dyson
Multichannel Audio, Sound Studies, Fine Art, Media, Installation