Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Joanna Magierecka
participatory strategies in art, theater installation, Performance art, Contemporary art
Britta Benno
artwork, artistic research, drawing, Printmaking, hybrid media, hybrid drawing, extended techniques, worlding, ruinenlust, posthuman, landscape depicting, dystopic art
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Rasmus Kloster Bro
cinema, virtualization, virtual art, Storytelling, FILM, Film-making, sketch; draft; test, manuscripts, experimentation, collaboration
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Tuulia Soininen
dance, Choreography, feminism, sexuality, violence, women artists
Sabina Holzer
anthropocene, ecologies, more-than-human, intersectional feminism, materiality, Body based art, science fiction, poetry, community, dance