Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Diogo Alvim
Music, architecture, moving image, sound art
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Freï von Fräähsen zu Lorenzburg
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Jakub Pesek
music production, Accessibility, art of sound, haptic
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Abla Mohamed Abd El Naby
Practice-as-research, sound, soundscape, Soundart, practice based research, performance, Performance art, Installation Art, media, media theory, Film studies