Andrew Bracey
Fine Art, Contemporary Curatorial Practice, Artist as curator, Painting, Parasitic tendencies of contemporary artists, appropriation, looking, attention, art and archives
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening