Jennifer Torrence
Percussion, contemporary music, new musical works, Experimental music, collaboration, collaborative processes, devising
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Francisca Skoogh
performance, western classical music, artistic research, psychology
Egle Oddo
performance, visual arts, vegetal biodiversity, installation, site responsive practices, Site-specific, photography
Katrin Ackerl Konstantin
performance, transdiciplinarity, theater, artistic research, psychology, queer theory, Gender studies
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology
Sally Emke
fear, craft, cuteness, humor, comics, judaism