Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Erik Friis Reitan
PHOTOGRAPHY, photosculpture, installation, Installation Art, phenomenlogy, Object Oriented Ontology, land art, Minimalism, visual art, zen, space, spacial art, landscape, ecology, technology, nature, sublime, contemporary dance, Media Arts, Physics, Astronomy, Natural Agency, Immersive Environments, immersive theatre, Artificial Intelligence (AI)
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Liza Lim
Music Composition, ecology, time, Anthropocene
Stefan Paulus
Subjektwissenschaft, non-photography, glatte und gekerbte Räume
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Sebastian Ruiz Bartilson
insurrectionary movements, Pornography, homoart, hiv, Not-knowing, swedish indocrination, ritualisation, psicomagic, human potential, meditation, somatics, somatic approaches, choreography and performance, choreographic thinking, antiethics, techno, cuerpos disruptivos, disidencias sexuales
Carl-Mikael Björk
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education