Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Lisa Salamandra
figurative art, raw meat, taboos, nude, art, collage, artwork
Arnas Anskaitis
artistic research, diagram, experiment, publication, writing
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Hayley Whelan
Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking practice, walking art, Writing as artistic research, practice-led research, PHOTOGRAPHY, darkroom photography, Film-making, collage, walking, cities, Scotland, research
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity