Lauren O'Neal
curation, pedagogy, experimentation, architecture, dance, museums, galleries, academia, artistic research, process, interdisciplinarity, choreographic thinking, open-endedness, poetics, co-imagining, installation, invisible research, curatorial dramaturgy
Heidi Marika Fast
Artistic reseach, voice, convergence, art pedagogy, psychiatry, resonance, research pedagogy
Erik Friis Reitan
PHOTOGRAPHY, photosculpture, installation, Installation Art, phenomenlogy, Object Oriented Ontology, land art, Minimalism, visual art, zen, space, spacial art, landscape, ecology, technology, nature, sublime, contemporary dance, Media Arts, Physics, Astronomy, Natural Agency, Immersive Environments, immersive theatre, Artificial Intelligence (AI)
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Tove Dahlberg
opera performance, gender, agency, performance norms
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
Jean Penny
flute and electronics, electroacoustic music, performance, composition, musicology, artistic research
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history