Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Marjolijn Rijks
phenomenology, Deleuze, visual art, structure, eyes, mycology
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Ieva Baltrenaite
art, artistic research, design, clothes, Sociology, memory, Memory culture, anthropology, fashion, fashion design, fashion practice research, fashion creativity, fashion making, History, performing arts, Contemporary art
Harry Matthews
composition, artistic research, Noise, Soundscapes, field recording, trespass
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Cecilia Carvalhal Braga de Andrade
Performance art, Queer studies, Wearable sculpture, Expanded cinema, Participatory art, Latin American art, Collective memory, Identity and embodiment, Gender studies