Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
craig wells
Spatial Audio, electroacoustic music, synthesis, materialism, phenomenlogy, field recording, fiction, Speculative Realism, Process Philosophy
Rebecca Najdowski
New Materialism, New media, PHOTOGRAPHY, Video art, posthumanism, landscape
Emma WIlliams
historically informed performance, 19th century, violin, voice
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Gareth Somers
Performance and Ecology, Theatre, Devised Performance, Theatre History, Actor Training, Interdisciplinarity, Spirituality, Somatics
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Jessica Renfro
Participation, socially engaged art, new media art, practice-based research, digitality
Aurora Del Rio
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
Anna Nygren
Language, Language of things, posthumanism, Literature, Poetic Research, horses, autism, materiality
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Jesse Todd
Creative Writing, Performative Writing, Theatre, Theatre play, play devising, playwriting, ruins, Wanderer, travel, anthropoetics, Mythology, sound art, Storytelling
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space