Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Tyler Payne
feminism, art, feminist art, carnal sociology, feminist epistemology, video art, performance art, marxism, parasocial interaction theory, social media, advertising, gender performativity, social construction theory, intersectionality, instagram, intersectional feminism, commodity fetishizm
Heidi Möller
artistic research, artistic processes, artwork, art
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Martin Lang
Painting, post-truth, art and politics, Ethical Criticism of Art, Investigative art, Philosophy of Art, aesthetics
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
Tomáš Moravec
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio