Research Catalogue

performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology

culture and aesthetics, creative economies

art, artistic research, politics, Art history, activism, Cultural production, institutional critique, Investigative art, philosophy, post-conceptual art, feminism, cultural sociology, cultural psychoanalysis, Entrepreneurship, journalism

Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation

Artistic and Scientific Research

Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming

haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis

FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art

plants, nonhuman, Displacement, repetition, multispecies, trace, migration

sound art, artistic research, Audio walks

performance, archive, künstlerisch-performative Erschließung, public space, participatory arts, performance archive, artistic performative transmission strategies

alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history

PHOTOGRAPHY, VIDEO, sound, music

performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy