Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Hanna Järvinen
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Elisabeth Schäfer
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Cecilia Berghäll
scenography, time, transience, aesthetics, fragility, site-sensitive performance, materials, rhythm
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Benjamin Jenner
generative constraint, practice-based research, navigation, sensory awarness, languaging, embodied blindfoldedness, visual deprioritisation
Dominika Łabądź
ecology of creativity, creative ecosystem, self-organization, Collective Unconscious, collectivism, artistic research, artistic method, artistic process, performative exchange, collaboration, equity, care, open source, solidarity language, post-conceptual art, visual art, activism
Lucia Koevoets
haptic, memory, Present Moment, Fine Arts, art education