Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing