Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
Vasco Alves
music, Music Education, Musical performance, music aesthetics, Music philosophy, Music analysis, music theory, Musical Cultures, Music editing, musical instruments, musical narrative, Musical Syntax, musical communication, musical expression, musical narration, musicality, musical and artistic development, musical literacy, musicology, music theater
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Sharin Foo
immersive performance, Spatial Audio, spatialization, music
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Diego Xavier
lines, territory, mapping, politicized art, boundaries, migration, Border Territories
Nicola Visser
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices