Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
vincent roumagnac
Anthroposcene, Deep Stage, Hyperdrama, Time Ecology, Artistic Research, Scenic Thinking, Reacclimatization, Contemporary art, Architecture, Scenographic Turn, Theatre Without Theatre, Skenomorphoses, Ecosophy
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Maria Høgh-Mikkelsen
colour, design, material, aesthetics, artistic research, textile, atmosphere, phenomenlogy, creativity, Design research, design process
Aurora Del Rio
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
Michael Lukaszuk
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality