Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
FRANCO RIPA DI MEANA
performance, Technology Innovation, multimedia, transdiciplinarity, Science and Art collaborations, performativity, community, userinvolvment, User Experience
Hui Han Lui
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Ana Pireva
paper, papermaking, Printmaking, Workshop, drawing research, Lithography, ink, Painting