Håkon Mørch Stene
Experimental music, interpretation, multidisciplinary, artistic research, pedagogy
Kent G R Olofsson
Composition, Dramaturgy, Composed theatre, contemporary theatre, performing arts, electroacoustic music, Sound Spatialisation, scenography
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Pedro Neto
Photography, documentary, architecture, artistic processes, archive, imaging
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Rachel Carney
poetry, art, museum, Museum Art, creative writing, History
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice