Researchers

Paulo de Assis
Performance, Composition, Philosophy, AI
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Hanns Holger Rutz
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
mari martin
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism, transcorporeality, performing arts, virtuality, materiality, body, participatory installation, post doc research, public urban space, city, human, non-human, teacher of thatre art, multidisciplinarity, cross-disciplinarity, cooperation
Yann Coppier
Sound art, Absurd sounds, Poetry, Politics, Meaning, Dramaturgy, Poetics
Wesley Troeger
Music Perception and Cognition, Dramaturgy
Nathan Jones
new media, glitch, distributed critique, media theory, literature, poetics
Matthew Galea
Sculpture, Cross Media Systems, Mixed Reality Systems, Sound Art, Sound Sculpture, Social Sculpture, Hybrid Interfaces and Interaction Modalities, Interactive Art Practice, Artificial Consciousness, Human Computer Interaction, Machine Awareness, Alternative Platforms and Archives., Tattoo
Barbis Ruder
performance, body, sculpture, orthesis, prothesis, sports, medicine, interdisciplinary, art, body art, body of work, body of the performer, physiology, physicality, artistic research, Medical Humanities, medicine technic, interdisciplinarity, conjunction
Darya Tsymbalyuk
plants, nonhuman, Displacement, repetition, multispecies, trace, migration
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Rachel Horst
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Inge Kengen
performance, belonging, identity, installation, artscience
Phoebe Grace Robertson
Music, Flute, Ethnomusicology, Gubaidulina, Soviet Studies, Russian Music
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry