Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Tatjana Macic
artistic processes, writing, theory, performance, institutional critique, education, laguage
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Ozgu Gundeslioglu
material based art, ceramics, clay, Plasticity, Arts-based self-study, Craft, artistic research
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Lenka Vesela
Feminist Technoscience, Queer Ecologies, Synthetic Bodies, Synthetic Knowledges, Cyborg Becoming, Artistic Research, Anthropocene Feminisms, Anti-Toxic Action, Posthuman Feminisms, Material Feminisms
Joonas Lahtinen
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Antoine Chessex
Sound Studies, sound art, artistic research, Cultural Studies, transdiciplinarity
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism