Researchers
CAT MARTINS 
art education, Trans studies, queer theory, governmentality, post-colonial, post-structuralism, decolonize knowledge
Jonathan Reus 
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Jim Harold 
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Benedict Olk 
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Jamie Savan 
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Laisvie Andrea Ochoa Gaevska 
dance, Choreography, multimedia, inclusive dance, feminist art, somatics, improvisation, video performance, video dance, Disability Studies
Rachel Kaminski Sanders 
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Kobe Van Cauwenberghe 
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Leslee Smucker 
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Helena Persson 
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
