Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Martin P Eccles
walking, sound, movement, time, distance, landscape, place, Durational practice, embodiment, phenomenology, human scale, solitude, field recording, poetry, haiku, haibun, mesostic, replication, replicated walks, islands, imagined islands, chance processes, random, sound art, soundwalking
David Rych
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
Jeffrey Cobbold
digital sound studies, electro-acoustic/experimental music, field recording practices, sound art installation, language-based artistic research, personal digital storytelling, worship arts/Christian education, video production
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Darren O'Brien
counter cartography, Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking art, mapping, psychogeography, drawing research, Sculpture, Writing as artistic research
Marike Hoekstra
art education, pedagogy, arts-based research, art-based research, third space
Helene Waage
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology