Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Marsha Bradfield
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Sepideh Karami
architecture, dissident, Writing as artistic research, critical writing, minor architecture
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Carmen Raffaela Küster
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
Alexander Lindman
Acting for screen and social media, Acting, Acting on social media platforms, What is the actor's role in the age of social media, Mime acting, Stunt acting, physical theatre, The social media actor, Deneurotypicalize acting technique, Deneurotypicalize, neurodiversity, ADHD, adhd actor, Mime, Stunt, ADHD acting, Social media, social media actor, Social media Acting, Deneurotypicalized Acting, ART, Entertainment, PerspART, NewART, AutoART
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation