Researchers

Nicole De Brabandere
Affect; Embodiment; Experimentation; Media and Material Practice
Åsa Unander-Scharin
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Srisrividhiya Kalyanasundaram
aesthetics and philosophy, Ecological Consciousness, Eco-ethics, Eco -philosophy and Eco-aesthetics, Arts Education, Visual Design, Illustration, Earth Education, Conservation, Communication, Art History, Creative Writing, Indian art and aesthetics, Indian philosophy, Ecological consciousness, Eco-philosophy, Eco-art and aesthetics
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
christian scott
participatory design, cities, play, place
Mirjam van Tilburg
art, artedu, teacher education, teacher training, Educational Turn, education
Katja Münker
artistic research, Choreography, performance, somatics, walking art, Feldenkrais method, environmental artistic research
Vadim Keylin
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Sara Simionato
Music Composition, embodiment, singing
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme